by Elizabeth Cody Kimmel ‧ RELEASE DATE: Aug. 26, 2003
Updating Janeway’s The Vikings (1951), this volume in the revived Landmark Books series draws not only on the old sagas, but also from more recent research, including archaeological discoveries in the 1960s, to reconstruct Leif Eriksson’s life and exploratory voyage to this continent. To enliven her simply written account, Kimmel invents details (“Leif allowed his mother to hug and kiss him, and he gave her a confident smile”), though at least not dialogue, and closes with notes on sources, the Native Americans encountered by Eriksson’s successors, and the explorer’s place in history. Illustrated with a stingy assortment of photos, this is more a quick once-over than a systematic study, but like its plethora of series companions, it’s well designed to stimulate an early interest in its subject. (author’s note, index, photo credits, bibliography, not seen) (Fictionalized nonfiction. 8-10)
Pub Date: Aug. 26, 2003
ISBN: 0-375-81347-0
Page Count: 128
Publisher: Random House
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2003
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by Elizabeth Cody Kimmel ; illustrated by Giuliano Ferri
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by Mark Kurlansky & illustrated by S.D. Schindler ‧ RELEASE DATE: Sept. 1, 2006
The author of Cod’s Tale (2001) again demonstrates a dab hand at recasting his adult work for a younger audience. Here the topic is salt, “the only rock eaten by human beings,” and, as he engrossingly demonstrates, “the object of wars and revolutions” throughout recorded history and before. Between his opening disquisition on its chemical composition and a closing timeline, he explores salt’s sources and methods of extraction, its worldwide economic influences from prehistoric domestication of animals to Gandhi’s Salt March, its many uses as a preservative and industrial product, its culinary and even, as the source for words like “salary” and “salad,” its linguistic history. Along with lucid maps and diagrams, Schindler supplies detailed, sometimes fanciful scenes to go along, finishing with a view of young folk chowing down on orders of French fries as ghostly figures from history look on. Some of Kurlansky’s claims are exaggerated (the Erie and other canals were built to transport more than just salt, for instance), and there are no leads to further resources, but this salutary (in more ways than one) micro-history will have young readers lifting their shakers in tribute. (Picture book/nonfiction. 8-10)
Pub Date: Sept. 1, 2006
ISBN: 0-399-23998-7
Page Count: 48
Publisher: Putnam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 2006
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by Mark Kurlansky ; illustrated by Eric Zelz
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by Mark Kurlansky ; illustrated by Jia Liu
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by Faith Ringgold ‧ RELEASE DATE: Nov. 1, 1999
Ringgold’s biography of Rosa Parks packs substantial material into a few pages, but with a light touch, and with the ring of authenticity that gives her act of weary resistance all the respect it deserves. Narrating the book is the bus that Parks took that morning 45 years ago; it recounts the signal events in Parks’s life to a young girl who boarded it to go to school. A decent amount of the material will probably be new to children, for Parks is so intimately associated with the Montgomery Bus Boycott that her work with the NAACP before the bus incident is often overlooked, as is her later role as a community activist in Detroit with Congressman John Conyers. Ringgold, through the bus, also informs readers of Parks’s youth in rural Alabama, where Klansmen and nightriders struck fear into the lives of African-Americans. These experiences make her refusal to release her seat all the more courageous, for the consequences of resistance were not gentle. All the events are depicted in emotive naive artwork that underscores their truth; Ringgold delivers Parks’s story without hyperbole, but rather as a life lived with pride, conviction, and consequence. (Picture book/biography. 5-9)
Pub Date: Nov. 1, 1999
ISBN: 0-689-81892-0
Page Count: 32
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 1999
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by Gwendolyn Brooks & illustrated by Faith Ringgold
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