A mix.
British writer and scholar Cook offers up an inconsistently satisfying curiosity in this little slip of a debut novel retelling the story of Achilles’ life.
At times the author catches an effect that’s just right—that vivifies, that is, or expands in new words the reader’s impression-memories of the classics themselves, mainly the Homeric epics. What it’s like for Achilles in the Afterworld, for example (this just before the still-living Odysseus visits him): “You know the living are up there, driving your horses, ploughing your fields, handling your bowls. Eating. The living are always eating; their tongues fossicking among the bones”). Less satisfying, though, is her unimaginative decision to adhere to a narrative view of the gods as “magic” beings, as in the story of Achilles’ birth, when Thetis dips him in the Styx (“‘Immortality,’ she said, ‘I’m burning away [his] mortal parts in the fire of this river’”). One craves not such schoolroom retellings but descriptions instead of real people and of the actual human traits that gave rise to the myths. And yet, when she does try doing it this way, Cook often limps and loses her ear, as in her implying of Helen’s beauty by berating the craven beastliness of the men who lust for her (“their cheers were in Paris’ ears as he fucked her. He needed others to want her to want her”). Achilles’ youthful sexual joining with Deidamia is more successfully told, as is his deadly encounter with Penthiseleia, the Amazon queen. Possibly most captivating is the chapter on Chiron, the wise centaur. The closing section—about Keats’s aesthetic-emotional relatedness to antiquity—is quite beautifully done, though it remains more envoi than part of the whole—and even here one’s sense of being in capable poetic hands is shaken by Cook’s curious way elsewhere in the book of resorting to absurdly blunt effects like “AAAAAIIIIIIIEEEEEE!!!” or “QUICK! / CLOSE THE GATE. ACHILLES IS COMING.”
A mix.Pub Date: Feb. 1, 2001
ISBN: 0-312-28884-0
Page Count: 128
Publisher: Picador
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 15, 2001
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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