by Elizabeth Cummins Muñoz ‧ RELEASE DATE: April 19, 2022
A perceptive look into a hidden world.
Moving narratives from women working in “a largely invisible industry.”
Muñoz, a scholar of Latin American literature and culture, makes her book debut with a sensitive investigation of the lives and work of immigrant nannies. Identifying herself as “a native Houstonian of European ancestry” who is fluent in Spanish, the author met nannies when she took her children to a local park. Beginning in 2010, she began to interview them, and she also reached out to some of their employers. Those interviews—recorded, transcribed, translated, and edited—form the basis of the text, which Muñoz has interwoven with historical, political, and economic context. In developing countries, migration has become “a particularly feminine survival strategy” and “a singular face of hope” for girls and women who want a better future for themselves and their families. In the U.S., they easily find work as nannies, filling a need for families in which both parents work and women face “impossible expectations” of what motherhood entails. Muñoz exposes the injustices and demands nannies encounter as much as she critiques “the false assumption that our homes and our families are held up by force of love, inexhaustible and economically inconsequential.” As a society, she writes, we “have dismissed our responsibility to raise our children and care for our elderly and infirm. We have feminized this care into triviality, swept it under the rug of visibility, and left the mothers among us with little choice but to struggle and endure—or to outsource the work to marginalized others who must bear our burdens and theirs, alone.” These women’s stories reveal broken and unjust social, health care, and legal systems; a changing landscape of immigration policy and practice; and a feminist movement that has failed to dismantle patriarchy. “When we replace the housewife with a low-wage, publicly invisible muchacha,” writes the author, “we maintain the same system of gender-based power that women have been resisting for ages.”
A perceptive look into a hidden world.Pub Date: April 19, 2022
ISBN: 978-0-8070-5118-4
Page Count: 280
Publisher: Beacon Press
Review Posted Online: Jan. 25, 2022
Kirkus Reviews Issue: Feb. 15, 2022
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More by Victor Villaseñor
BOOK REVIEW
by Victor Villaseñor & illustrated by Felipe Ugalde Alcántara & translated by Elizabeth Cummins Muñoz
by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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More by Rebecca Stefoff
BOOK REVIEW
by Howard Zinn ; adapted by Rebecca Stefoff with by Ed Morales
BOOK REVIEW
by Howard Zinn with Ray Suarez
BOOK REVIEW
by Howard Zinn
by Alok Vaid-Menon ‧ RELEASE DATE: June 2, 2020
A fierce, penetrating, and empowering call for change.
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Artist and activist Vaid-Menon demonstrates how the normativity of the gender binary represses creativity and inflicts physical and emotional violence.
The author, whose parents emigrated from India, writes about how enforcement of the gender binary begins before birth and affects people in all stages of life, with people of color being especially vulnerable due to Western conceptions of gender as binary. Gender assignments create a narrative for how a person should behave, what they are allowed to like or wear, and how they express themself. Punishment of nonconformity leads to an inseparable link between gender and shame. Vaid-Menon challenges familiar arguments against gender nonconformity, breaking them down into four categories—dismissal, inconvenience, biology, and the slippery slope (fear of the consequences of acceptance). Headers in bold font create an accessible navigation experience from one analysis to the next. The prose maintains a conversational tone that feels as intimate and vulnerable as talking with a best friend. At the same time, the author's turns of phrase in moments of deep insight ring with precision and poetry. In one reflection, they write, “the most lethal part of the human body is not the fist; it is the eye. What people see and how people see it has everything to do with power.” While this short essay speaks honestly of pain and injustice, it concludes with encouragement and an invitation into a future that celebrates transformation.
A fierce, penetrating, and empowering call for change. (writing prompt) (Nonfiction. 14-adult)Pub Date: June 2, 2020
ISBN: 978-0-593-09465-5
Page Count: 64
Publisher: Penguin Workshop
Review Posted Online: March 14, 2020
Kirkus Reviews Issue: April 1, 2020
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More In The Series
by Shavone Charles ; illustrated by Ashley Lukashevsky
by Leo Baker ; illustrated by Ashley Lukashevsky
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