A charmingly rendered ode to childhood wonder.
An observant youngster cultivates a dandelion growing on a playground.
Racially diverse children run and jump under the watchful eyes of adults. “No one spotted the tiny flower bud sprouting, impossibly, between the schoolyard’s cement and rubber turf”—except for blond-haired, light-skinned young Sam, lying on her tummy with her hands under her chin. Capturing children’s universal affection for this “weedflower,” the illustrations depict her showering the “alien bud” with attention. She sings to it, and eventually, other kids flock to see this tiny miracle and band together to guard and water it. It grows and grows—a lovely metaphor for what happens to all living things when shown love. Predictably, the adults don’t care for the “weed,” as they call it, and decide to get rid of the now-enormous flower. But love cannot so easily be extinguished. This is a stirring reminder of the place of honor the lowly dandelion has in many young people’s hearts. Davaze’s straightforward, clear text contrasts with Ferrer’s whimsical images. Relying on a palette of muted greens, rich browns, and crisp whites, the artist depicts the dandelion sprouting forth dramatically, its unappreciated beauty spilling onto the pages as the youngsters look on in awe. The story may prompt discussions as readers ponder the outcome and what it means to nurture something that others see little value in.
A charmingly rendered ode to childhood wonder. (Picture book. 4-8)Pub Date: Aug. 13, 2024
ISBN: 9781771475884
Page Count: 32
Publisher: Owlkids Books
Review Posted Online: Sept. 28, 2024
Kirkus Reviews Issue: Nov. 1, 2024
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
BOOK REVIEW
BOOK REVIEW
Wins for compassion and for the refusal to let physical limitations hold one back.
With such short arms, how can Tiny T. Rex give a sad friend a hug?
Fleck goes for cute in the simple, minimally detailed illustrations, drawing the diminutive theropod with a chubby turquoise body and little nubs for limbs under a massive, squared-off head. Impelled by the sight of stegosaurian buddy Pointy looking glum, little Tiny sets out to attempt the seemingly impossible, a comforting hug. Having made the rounds seeking advice—the dino’s pea-green dad recommends math; purple, New Age aunt offers cucumber juice (“That is disgusting”); red mom tells him that it’s OK not to be able to hug (“You are tiny, but your heart is big!”), and blue and yellow older sibs suggest practice—Tiny takes up the last as the most immediately useful notion. Unfortunately, the “tree” the little reptile tries to hug turns out to be a pterodactyl’s leg. “Now I am falling,” Tiny notes in the consistently self-referential narrative. “I should not have let go.” Fortunately, Tiny lands on Pointy’s head, and the proclamation that though Rexes’ hugs may be tiny, “I will do my very best because you are my very best friend” proves just the mood-lightening ticket. “Thank you, Tiny. That was the biggest hug ever.” Young audiences always find the “clueless grown-ups” trope a knee-slapper, the overall tone never turns preachy, and Tiny’s instinctive kindness definitely puts him at (gentle) odds with the dinky dino star of Bob Shea’s Dinosaur Vs. series.
Wins for compassion and for the refusal to let physical limitations hold one back. (Picture book. 5-7)Pub Date: March 5, 2019
ISBN: 978-1-4521-7033-6
Page Count: 48
Publisher: Chronicle Books
Review Posted Online: Nov. 11, 2018
Kirkus Reviews Issue: Dec. 1, 2018
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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