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THE GREAT SHELBY HOLMES

From the Shelby Holmes series , Vol. 1

A smart, fresh take on an old favorite makes for a terrific series kickoff

A modern Sherlock Holmes retelling brings an 11-year-old black John Watson into the sphere of know-it-all 9-year-old white detective Shelby Holmes.

John's an Army brat who's lived in four states already. Now, with his parents' divorce still fresh, the boy who's lived only on military bases must explore the wilds of Harlem. His new life in 221A Baker St. begins inauspiciously, as before he's even finished moving in, his frizzy-haired neighbor blows something up: "BOOM!" But John's great at making friends, and Shelby certainly seems like an interesting kid to know. Oddly loquacious, brusque, and extremely observant, Shelby's locally famous for solving mysteries. John’s swept up in her detecting when a wealthy, brown-skinned classmate enlists their help in the mysterious disappearance of her beloved show dog, Daisy. Whatever could have happened to the prizewinning Cavalier King Charles spaniel? Has she been swiped by a jealous competitor? Has Daisy’s trainer—mysteriously come into enough money to take a secret weekend in Cozumel—been placing bets against his own dog? Brisk pacing, likable characters, a few silly Holmes jokes ("I'm Petunia Cumberbatch," says Shelby while undercover), and a diverse neighborhood, carefully and realistically described by John, are ingredients for success.

A smart, fresh take on an old favorite makes for a terrific series kickoff . (Mystery. 9-11)

Pub Date: Sept. 6, 2016

ISBN: 978-1-68119-051-8

Page Count: 240

Publisher: Bloomsbury

Review Posted Online: June 21, 2016

Kirkus Reviews Issue: July 1, 2016

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MUSTACHES FOR MADDIE

Medically, both squicky and hopeful; emotionally, unbelievably squeaky-clean.

A 12-year-old copes with a brain tumor.

Maddie likes potatoes and fake mustaches. Kids at school are nice (except one whom readers will see instantly is a bully); soon they’ll get to perform Shakespeare scenes in a unit they’ve all been looking forward to. But recent dysfunctions in Maddie’s arm and leg mean, stunningly, that she has a brain tumor. She has two surgeries, the first successful, the second taking place after the book’s end, leaving readers hanging. The tumor’s not malignant, but it—or the surgeries—could cause sight loss, personality change, or death. The descriptions of surgery aren’t for the faint of heart. The authors—parents of a real-life Maddie who really had a brain tumor—imbue fictional Maddie’s first-person narration with quirky turns of phrase (“For the love of potatoes!”) and whimsy (she imagines her medical battles as epic fantasy fights and pretends MRI stands for Mustard Rat from Indiana or Mustaches Rock Importantly), but they also portray her as a model sick kid. She’s frightened but never acts out, snaps, or resists. Her most frequent commentary about the tumor, having her skull opened, and the possibility of death is “Boo” or “Super boo.” She even shoulders the bully’s redemption. Maddie and most characters are white; one cringe-inducing hallucinatory surgery dream involves “chanting island natives” and a “witch doctor lady.”

Medically, both squicky and hopeful; emotionally, unbelievably squeaky-clean. (authors’ note, discussion questions) (Fiction. 9-11)

Pub Date: Oct. 3, 2017

ISBN: 978-1-62972-330-3

Page Count: 256

Publisher: Shadow Mountain

Review Posted Online: Aug. 1, 2017

Kirkus Reviews Issue: Aug. 15, 2017

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TUCK EVERLASTING

However the compelling fitness of theme and event and the apt but unexpected imagery (the opening sentences compare the...

At a time when death has become an acceptable, even voguish subject in children's fiction, Natalie Babbitt comes through with a stylistic gem about living forever. 

Protected Winnie, the ten-year-old heroine, is not immortal, but when she comes upon young Jesse Tuck drinking from a secret spring in her parents' woods, she finds herself involved with a family who, having innocently drunk the same water some 87 years earlier, haven't aged a moment since. Though the mood is delicate, there is no lack of action, with the Tucks (previously suspected of witchcraft) now pursued for kidnapping Winnie; Mae Tuck, the middle aged mother, striking and killing a stranger who is onto their secret and would sell the water; and Winnie taking Mae's place in prison so that the Tucks can get away before she is hanged from the neck until....? Though Babbitt makes the family a sad one, most of their reasons for discontent are circumstantial and there isn't a great deal of wisdom to be gleaned from their fate or Winnie's decision not to share it. 

However the compelling fitness of theme and event and the apt but unexpected imagery (the opening sentences compare the first week in August when this takes place to "the highest seat of a Ferris wheel when it pauses in its turning") help to justify the extravagant early assertion that had the secret about to be revealed been known at the time of the action, the very earth "would have trembled on its axis like a beetle on a pin." (Fantasy. 9-11)

Pub Date: Nov. 1, 1975

ISBN: 0312369816

Page Count: 164

Publisher: Farrar, Straus and Giroux

Review Posted Online: April 13, 2012

Kirkus Reviews Issue: Nov. 1, 1975

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