by Elizabeth Gilbert ‧ RELEASE DATE: Sept. 10, 1997
A fine first collection of 12 stories that are richly varied in setting and content, and enlivened by their author's flair for vigorous dialogue and concise summary statement. Gilbert's tales are ostensibly linked by the metaphor indicated by her book's title (and underscored by her use as epigraph of the opening lines of Chaucer's Canterbury Tales). It's true that all her characters seek respect or self-definition, and also that many of them are looking for love, of whatever kind is available, in all the wrong places with all the people likeliest to hurt or disappoint them. More-or-less conventional sexual situations are explored with economy and wit in the title story's account of a young cowboy's truculent relationship with a female ranch-hand, the Saroyan-like ``Tall Folks'' in which a woman saloon owner slakes her loneliness, as it were, by falling for her handsome young nephew, and the amusing ``Landing,'' about a rootless woman's fascination with a sexy paratrooper. Gilbert strikes deeper with several more ambitious stories, most notably the resonant ``Elk Talk,'' a skillful symbolic revelation of a woman's endangered idyllic life in the Wyoming mountains; ``The Many Things That Denny Brown Did Not Know (Age Fifteen)'' (Gilbert has a thing for unwieldy titles), a clever picturing of adolescent confusion, presented through an ingeniously handled omniscient narration; and ``The Famous Torn and Restored Lit Cigarette Trick,'' a nicely understated account of a successful Hungarian immigrant in Pittsburgh whose violent nature becomes the guiding principle in his life. Ranging further still, Gilbert offers (in ``At the Bronx Terminal Vegetable Market'') a hauntingly vivid portrait of a naive porter who tries to convince himself he can run for president of his mob-controlled union. The best kind of debut volume: a striking display of a versatile writer flexing her muscles and tackling a broad array of subjects and themes.
Pub Date: Sept. 10, 1997
ISBN: 0-395-83623-9
Page Count: 210
Publisher: Houghton Mifflin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 1997
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edited by Elizabeth Gilbert
by Genki Kawamura ; translated by Eric Selland ‧ RELEASE DATE: March 12, 2019
Jonathan Livingston Kitty, it’s not.
A lonely postman learns that he’s about to die—and reflects on life as he bargains with a Hawaiian-shirt–wearing devil.
The 30-year-old first-person narrator in filmmaker/novelist Kawamura’s slim novel is, by his own admission, “boring…a monotone guy,” so unimaginative that, when he learns he has a brain tumor, the bucket list he writes down is dull enough that “even the cat looked disgusted with me.” Luckily—or maybe not—a friendly devil, dubbed Aloha, pops onto the scene, and he’s willing to make a deal: an extra day of life in exchange for being allowed to remove something pleasant from the world. The first thing excised is phones, which goes well enough. (The narrator is pleasantly surprised to find that “people seemed to have no problem finding something to fill up their free time.”) But deals with the devil do have a way of getting complicated. This leads to shallow musings (“Sometimes, when you rewatch a film after not having seen it for a long time, it makes a totally different impression on you than it did the first time you saw it. Of course, the movie hasn’t changed; it’s you who’s changed") written in prose so awkward, it’s possibly satire (“Tears dripped down onto the letter like warm, salty drops of rain”). Even the postman’s beloved cat, who gains the power of speech, ends up being prim and annoying. The narrator ponders feelings about a lost love, his late mother, and his estranged father in a way that some readers might find moving at times. But for many, whatever made this book a bestseller in Japan is going to be lost in translation.
Jonathan Livingston Kitty, it’s not.Pub Date: March 12, 2019
ISBN: 978-1-250-29405-0
Page Count: 176
Publisher: Flatiron Books
Review Posted Online: Feb. 16, 2019
Kirkus Reviews Issue: March 1, 2019
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by Donna Tartt ‧ RELEASE DATE: Sept. 16, 1992
The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.
Pub Date: Sept. 16, 1992
ISBN: 1400031702
Page Count: 592
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1992
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