THE BEST AMERICAN TRAVEL WRITING 2013

Name: THE BEST AMERICAN TRAVEL WRITING 2013
Author: Elizabeth Gilbert
ISBN: 978-0-547-80898-7

edited by Elizabeth Gilbert ‧ RELEASE DATE: Oct. 8, 2013

The wonder continues in the fact that, regardless of subject, each story takes its place in the collection proudly and...

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The latest installment of the travel-writing series upholds the tradition of world-expanding excellence.

Series editor Jason Wilson begins this collection with a tale of overcoming adversity. After years, he found volume editor Gilbert’s (Committed: A Love Story, 2010, etc.) schedule finally jibed with his, and thus, the 2013 collection was born. This is not a book full of traditional travel stories. Instead, under Gilbert's stewardship, the articles are tidbits from another place, time or culture, and one from the mind of a man who contemplated travel but never got around to it. Readers won’t find any pieces to help them plan a trip, but they will be inspired to travel somewhere. “Some of these stories find their authors flinging themselves into mad acts of danger and some do not,” writes Gilbert, “but every piece contains awe in strong enough doses to render the reader enchanted, delighted, compelled, or forever unsettled.” The stories range from typical subjects with atypical treatments—e.g., Kevin Chroust’s recounting of running with the bulls in which he examines not the thrill of the terror, but the sheer stupidity of it—to the completely unexpected—e.g., Sarah A. Topol’s “Tea and Kidnapping,” in which an event that should be terrifying is surprisingly giggle-inducing. “Travel should be just as much about light delights as about dark daring,” writes Gilbert, and both are represented here, well-balanced. So Grant Stoddard’s article about making up his own Manhattan tours and David Sedaris’ piece about his dentist in Paris slide into the collection seamlessly while offering a needed comedic break. Other contributors include Ian Frazier, John Jeremiah Sullivan and Christopher de Bellaigue.

The wonder continues in the fact that, regardless of subject, each story takes its place in the collection proudly and deservedly.

Pub Date: Oct. 8, 2013

ISBN: 978-0-547-80898-7

Page Count: 256

Publisher: Mariner/Houghton Mifflin Harcourt

Review Posted Online: Aug. 25, 2013

Kirkus Reviews Issue: Sept. 15, 2013

Categories:

GENERAL NONFICTION

- BOOK REVIEW
CITY OF GIRLS
by Elizabeth Gilbert

- BOOK REVIEW
BIG MAGIC
by Elizabeth Gilbert

- BOOK REVIEW
THE SIGNATURE OF ALL THINGS
by Elizabeth Gilbert

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NUTCRACKER

by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996

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This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

Categories:

GENERAL NONFICTION

- BOOK REVIEW
THE NUTCRACKER AND THE MOUSE KING
by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson

- BOOK REVIEW
THE NUTCRACKER
by E.T.A. Hoffmann & illustrated by Julie Paschkis

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955

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An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.