A straightforward family story written with a poet’s sensitivity and flair.
Based on the life of the author's Sephardic grandmother, complete with real names and photographs, this generational saga traces a family's journey of exile.
The novel is divided into three sections set in different places: There’s early-20th-century Constantinople, where prosperous Jews, Christians, and Muslims intermingle easily and where Rebecca Cohen lives as a child; Spain, where her family reluctantly immigrates in 1925; and the United States, where Rebecca eventually settles but never feels at home. Rebecca’s happy childhood ends abruptly in 1914 when the French-speaking Catholic school she attends abruptly closes and the previously oblivious 12-year-old becomes aware that war has broken out. Her best friend immigrates to America; Rebecca’s family is increasingly less prosperous. Ten years later, her father is financially ruined, and his beloved Turkey has become as intolerant of Jews as of Armenians and Greeks. Offered a low-level job at a small synagogue in Barcelona, he moves Rebecca’s family (minus an older sister who’s left for Cuba) to Spain, the country their ancestors fled during the Inquisition. Rebecca builds a successful dressmaking business there but, afraid of spinsterhood, rushes into marrying the only Jewish bachelor available and suffers in a deeply unhappy marriage. Her husband dies shortly after the birth of their second son. Although world events remain mostly in the background, rising fascism casts its shadow. In 1934, Rebecca accepts an invitation from her older sister, now living in New York, to marry the widower of an old friend who'd died in childbirth in Queens and immigrate to America. Yes, this sounds like soap opera, or a somber The Brady Bunch, as Rebecca and her new husband blend her sons, his daughter, and the children they bear together into one family. This longer final section lacks the novel’s earlier vibrancy, perhaps because writing about people she personally remembers constrains Graver. That’s too bad, because in imagining places (including a dreamy Cuba) and people from earlier times, Graver’s poignantly elegiac prose often soars.
A straightforward family story written with a poet’s sensitivity and flair.Pub Date: April 18, 2023
ISBN: 9781250869845
Page Count: 304
Publisher: Metropolitan/Henry Holt
Review Posted Online: Feb. 23, 2023
Kirkus Reviews Issue: March 15, 2023
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
Mostly charming, sometimes twee, with some really lovely things to say about poetry.
And now for some lessons in poetry and typesetting.
After Lessons in Chemistry (2022), a debut that became one of the most popular books of recent years, Garmus applies her unique comic sensibility to the story of Batter Gray, a man named after a family dog of mythic talents. A poetry maven who was reading Auden as a fourth grader, he was raised by a type-designer mother and historian father who dearly hoped he would choose some more viable profession than poetry. But via an amazing stroke of luck, he lands a job after college at Peck & Peck, an illustrious literary journal located in a beautiful building in New York City. He’s at the very bottom of the complex and dysfunctional totem pole, making copies in the basement, struggling not to run afoul of the cantankerous editor-in-chief, Salton Peck, or his smarmy assistant, Dexter York, both of whom have taken an instant dislike to our hero (and can never get his name right. Few people can). And to be honest, Batter is not without his flaws. The novel bogs down a bit in the middle, with Salton constantly excoriating his staff in ALL CAPS and much ado over the possibility that submissions have been taken outside the building, which is forbidden. Along the way, many, many famous poets are name-checked, as are many typefaces, since Batter has been raised to instantly identify a font in the wild. The best example of this occurs during his brief sojourn in jail: “The thing I kind of admired about Motherfucker II, besides his manners, was this huge tattoo he had on his neck that read I will fuck you up in ITC Bolt. Call me my mother’s son, but whoever inked it nailed the kerning.” The narrative picks up steam toward the end, as bad guys become good guys, mysteries are solved, and Batter throws one hell of a party.
Mostly charming, sometimes twee, with some really lovely things to say about poetry.Pub Date: Oct. 13, 2026
ISBN: 9781668251065
Page Count: 432
Publisher: Scribner
Review Posted Online: July 6, 2026
Kirkus Reviews Issue: Aug. 1, 2026
BOOK REVIEW
PERSPECTIVES
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