KANTIKA

Based on the life of the author's Sephardic grandmother, complete with real names and photographs, this generational saga traces a family's journey of exile.

The novel is divided into three sections set in different places: There’s early-20th-century Constantinople, where prosperous Jews, Christians, and Muslims intermingle easily and where Rebecca Cohen lives as a child; Spain, where her family reluctantly immigrates in 1925; and the United States, where Rebecca eventually settles but never feels at home. Rebecca’s happy childhood ends abruptly in 1914 when the French-speaking Catholic school she attends abruptly closes and the previously oblivious 12-year-old becomes aware that war has broken out. Her best friend immigrates to America; Rebecca’s family is increasingly less prosperous. Ten years later, her father is financially ruined, and his beloved Turkey has become as intolerant of Jews as of Armenians and Greeks. Offered a low-level job at a small synagogue in Barcelona, he moves Rebecca’s family (minus an older sister who’s left for Cuba) to Spain, the country their ancestors fled during the Inquisition. Rebecca builds a successful dressmaking business there but, afraid of spinsterhood, rushes into marrying the only Jewish bachelor available and suffers in a deeply unhappy marriage. Her husband dies shortly after the birth of their second son. Although world events remain mostly in the background, rising fascism casts its shadow. In 1934, Rebecca accepts an invitation from her older sister, now living in New York, to marry the widower of an old friend who'd died in childbirth in Queens and immigrate to America. Yes, this sounds like soap opera, or a somber The Brady Bunch, as Rebecca and her new husband blend her sons, his daughter, and the children they bear together into one family. This longer final section lacks the novel’s earlier vibrancy, perhaps because writing about people she personally remembers constrains Graver. That’s too bad, because in imagining places (including a dreamy Cuba) and people from earlier times, Graver’s poignantly elegiac prose often soars.

A straightforward family story written with a poet’s sensitivity and flair.