by Elizabeth Greenwood ‧ RELEASE DATE: July 13, 2021
An empathetic and well-characterized book that will add complexity to debates about mass incarceration.
Compassionate inquiry into the hidden phenomena of prison relationships, particularly the “MWI” (Met While Incarcerated) demographic.
Greenwood was inspired by her own correspondence with a jailed white-collar criminal she met researching her first book, Playing Dead: “Could you find love and vivacity in the ugliest of places? And what are the prisons we erect for ourselves?” She frames these inquiries against the grim reality of this country’s incarceration rate (the highest in the world) and its disproportionate effect on poorer individuals and communities of color. At the same time, the author observes that MWI “prison wives” are often middle-class Whites who are drawn to church service groups or prisoner pen-pal websites, a phenomenon that serves as an example of the complex social realities uncovered here. Greenwood opens with the marriage of ex-soldier Jo to Benny, an affable recidivist with a disturbing background of domestic violence, and alternates between the arc of their tumultuous, ultimately successful union and those of several other couples. These include a retired Canadian diplomat who wed and then split from an American woman convicted of murder, a trans woman and a bisexual African American man serving time in the same institution, and a couple who stayed together following the prisoner’s wrongful conviction being overturned, who “still came home with all the trauma of anyone who has spent almost half his life in prison.” The resilience of MWI spouses is personified throughout by Jo, who observes, “I don’t have any problem waiting for him to come home from prison. Because he’s my husband.” Greenwood makes good use of interviews with prisoners, academics, and others, and the writing is observant, humorous, and even sensuous, as when the author and Jo attend a conference for prisoners’ families and hear frank talk about the realities of frustration and conjugal visits. “For once, they are in a place where people understand,” writes the author. “They needn’t pretend or defend.”
An empathetic and well-characterized book that will add complexity to debates about mass incarceration.Pub Date: July 13, 2021
ISBN: 978-1-5011-5841-4
Page Count: 288
Publisher: Gallery Books/Simon & Schuster
Review Posted Online: May 11, 2021
Kirkus Reviews Issue: June 1, 2021
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by Ta-Nehisi Coates ‧ RELEASE DATE: Oct. 1, 2024
A revelatory meditation on shattering journeys.
Bearing witness to oppression.
Award-winning journalist and MacArthur Fellow Coates probes the narratives that shape our perception of the world through his reports on three journeys: to Dakar, Senegal, the last stop for Black Africans “before the genocide and rebirth of the Middle Passage”; to Chapin, South Carolina, where controversy erupted over a writing teacher’s use of Between the World and Me in class; and to Israel and Palestine, where he spent 10 days in a “Holy Land of barbed wire, settlers, and outrageous guns.” By addressing the essays to students in his writing workshop at Howard University in 2022, Coates makes a literary choice similar to the letter to his son that informed Between the World and Me; as in that book, the choice creates a sense of intimacy between writer and reader. Interweaving autobiography and reportage, Coates examines race, his identity as a Black American, and his role as a public intellectual. In Dakar, he is haunted by ghosts of his ancestors and “the shade of Niggerology,” a pseudoscientific narrative put forth to justify enslavement by portraying Blacks as inferior. In South Carolina, the 22-acre State House grounds, dotted with Confederate statues, continue to impart a narrative of white supremacy. His trip to the Middle East inspires the longest and most impassioned essay: “I don’t think I ever, in my life, felt the glare of racism burn stranger and more intense than in Israel,” he writes. In his complex analysis, he sees the trauma of the Holocaust playing a role in Israel’s tactics in the Middle East: “The wars against the Palestinians and their Arab allies were a kind of theater in which ‘weak Jews’ who went ‘like lambs to slaughter’ were supplanted by Israelis who would ‘fight back.’” Roiled by what he witnessed, Coates feels speechless, unable to adequately convey Palestinians’ agony; their reality “demands new messengers, tasked as we all are, with nothing less than saving the world.”
A revelatory meditation on shattering journeys.Pub Date: Oct. 1, 2024
ISBN: 9780593230381
Page Count: 176
Publisher: One World/Random House
Review Posted Online: Aug. 2, 2024
Kirkus Reviews Issue: Sept. 1, 2024
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by Ta-Nehisi Coates ; illustrated by Jackie Aher
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SEEN & HEARD
by Alok Vaid-Menon ‧ RELEASE DATE: June 2, 2020
A fierce, penetrating, and empowering call for change.
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Artist and activist Vaid-Menon demonstrates how the normativity of the gender binary represses creativity and inflicts physical and emotional violence.
The author, whose parents emigrated from India, writes about how enforcement of the gender binary begins before birth and affects people in all stages of life, with people of color being especially vulnerable due to Western conceptions of gender as binary. Gender assignments create a narrative for how a person should behave, what they are allowed to like or wear, and how they express themself. Punishment of nonconformity leads to an inseparable link between gender and shame. Vaid-Menon challenges familiar arguments against gender nonconformity, breaking them down into four categories—dismissal, inconvenience, biology, and the slippery slope (fear of the consequences of acceptance). Headers in bold font create an accessible navigation experience from one analysis to the next. The prose maintains a conversational tone that feels as intimate and vulnerable as talking with a best friend. At the same time, the author's turns of phrase in moments of deep insight ring with precision and poetry. In one reflection, they write, “the most lethal part of the human body is not the fist; it is the eye. What people see and how people see it has everything to do with power.” While this short essay speaks honestly of pain and injustice, it concludes with encouragement and an invitation into a future that celebrates transformation.
A fierce, penetrating, and empowering call for change. (writing prompt) (Nonfiction. 14-adult)Pub Date: June 2, 2020
ISBN: 978-0-593-09465-5
Page Count: 64
Publisher: Penguin Workshop
Review Posted Online: March 14, 2020
Kirkus Reviews Issue: April 1, 2020
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More In The Series
by Shavone Charles ; illustrated by Ashley Lukashevsky
by Leo Baker ; illustrated by Ashley Lukashevsky
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