Quirky choices, but readers will be left knowing these iconic figures better.
In graphic format, profiles of six illustrators that focus on their words, groundbreaking works, and early influences.
Following up on her Before They Were Authors (2019), Haidle pays tribute to another worthy and diverse set of creative talents: Wanda Gág, Tove Jansson, Hiyao Miyazaki, Yuyi Morales, Maurice Sendak, and Jerry Pinkney. As children’s-book illustrators go, animator Miyazaki is really an outlier here, but the author wedges him into the general scheme by analyzing his character types and his views on visual art in general. Sticking to her own low-key, chromatically restrained figures and visual style (to the point that even the iconic covers of favorites like Where the Wild Things Are and Millions of Cats are unrecognizably altered), she takes each of her subjects from childhood to well-launched career, pointing to the effects of family situations and tracing the development of artistic aspirations. Their later years are rushed, but she includes nods to significant personal as well as professional contacts, such as Jansson’s same-sex partner, Tuulikki Pietilä, and Sendak’s relationships with both his life companion, Eugene Glynn, and his editor Ursula Nordstrom. Direct quotes, printed in red, make up major portions of the narrative, placed in and around the neatly arranged geometric panels, so even though young audiences may struggle to find any visual evocation of these illustrators’ distinctive spirits and styles, some impression at least of their voices and approaches to art do, in the end, come through.
Quirky choices, but readers will be left knowing these iconic figures better. (timelines, endnotes, further reading) (Graphic collective biography. 8-12)Pub Date: April 20, 2021
ISBN: 978-1-328-80154-8
Page Count: 64
Publisher: Etch/HMH
Review Posted Online: Jan. 26, 2021
Kirkus Reviews Issue: Feb. 15, 2021
BOOK REVIEW
BOOK REVIEW
With young readers diagnosed with anxiety in ever increasing numbers, this book offers a necessary mirror to many.
Young Raina is 9 when she throws up for the first time that she remembers, due to a stomach bug. Even a year later, when she is in fifth grade, she fears getting sick.
Raina begins having regular stomachaches that keep her home from school. She worries about sharing food with her friends and eating certain kinds of foods, afraid of getting sick or food poisoning. Raina’s mother enrolls her in therapy. At first Raina isn’t sure about seeing a therapist, but over time she develops healthy coping mechanisms to deal with her stress and anxiety. Her therapist helps her learn to ground herself and relax, and in turn she teaches her classmates for a school project. Amping up the green, wavy lines to evoke Raina’s nausea, Telgemeier brilliantly produces extremely accurate visual representations of stress and anxiety. Thought bubbles surround Raina in some panels, crowding her with anxious “what if”s, while in others her negative self-talk appears to be literally crushing her. Even as she copes with anxiety disorder and what is eventually diagnosed as mild irritable bowel syndrome, she experiences the typical stresses of school life, going from cheer to panic in the blink of an eye. Raina is white, and her classmates are diverse; one best friend is Korean American.
With young readers diagnosed with anxiety in ever increasing numbers, this book offers a necessary mirror to many. (Graphic memoir. 8-12)Pub Date: Sept. 17, 2019
ISBN: 978-0-545-85251-7
Page Count: 224
Publisher: Graphix/Scholastic
Review Posted Online: May 11, 2019
Kirkus Reviews Issue: June 1, 2019
For every dreaming girl (and boy) with a pencil in hand (or keyboard) and a story to share.
A multiaward–winning author recalls her childhood and the joy of becoming a writer.
Writing in free verse, Woodson starts with her 1963 birth in Ohio during the civil rights movement, when America is “a country caught / / between Black and White.” But while evoking names such as Malcolm, Martin, James, Rosa and Ruby, her story is also one of family: her father’s people in Ohio and her mother’s people in South Carolina. Moving south to live with her maternal grandmother, she is in a world of sweet peas and collards, getting her hair straightened and avoiding segregated stores with her grandmother. As the writer inside slowly grows, she listens to family stories and fills her days and evenings as a Jehovah’s Witness, activities that continue after a move to Brooklyn to reunite with her mother. The gift of a composition notebook, the experience of reading John Steptoe’s Stevieand Langston Hughes’ poetry, and seeing letters turn into words and words into thoughts all reinforce her conviction that “[W]ords are my brilliance.” Woodson cherishes her memories and shares them with a graceful lyricism; her lovingly wrought vignettes of country and city streets will linger long after the page is turned.
For every dreaming girl (and boy) with a pencil in hand (or keyboard) and a story to share. (Memoir/poetry. 8-12)Pub Date: Aug. 28, 2014
ISBN: 978-0-399-25251-8
Page Count: 336
Publisher: Nancy Paulsen Books
Review Posted Online: June 24, 2014
Kirkus Reviews Issue: July 15, 2014
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