A timeless, gothic ode that serves up the stuff of nightmares.
A struggling band of hopeful artists wander into the malevolent orbit of Hill House in this contemporary restaging of Shirley Jackson’s classic novel.
Looking to escape New York City in the wake of the pandemic, Holly Sherwin and her partner, Nisa Macari, enjoy exploring charming “little towns long since colonized by self-styled artists and artisans.” Holly, once a promising playwright, is now teaching English at a private school but has recently won a grant to produce the witchy play that may just revive her career. When she stumbles upon a creepy old mansion on an isolated hill, she knows she’s found the perfect place to hole up with the small cast for two weeks of intensive rehearsals. Never mind that the owner is shady; never mind that the one neighbor threatens her with a knife as she drives by; never mind that the caretakers refuse to spend the night, ever, in the house—Holly knows it’s going to galvanize her cast into the performances of their lives. When they all gather for a run-through of the script, she can feel the magic, the electricity in the air. But maybe the house’s energy reflects more than the power of her words; there are also unexplained bloodstains on a tablecloth, an unearthly field of cold by the nursery, and mysterious voices at night. Not to mention the horrible black hares that keep popping up. Are they real or imaginary? Yes, and yes. While the novel doesn’t draw any kind of straight line between Jackson’s characters and Hand’s, other than some “echoing” voices on a recording, clearly this novel is shaped around Jackson’s legacy, not only in the setting, but also in the characters, specifically the relationship between Holly and Nisa. What she offers, then, is not merely retelling or update, but almost palimpsest.
A timeless, gothic ode that serves up the stuff of nightmares.Pub Date: Oct. 3, 2023
ISBN: 9780316527323
Page Count: 336
Publisher: Mulholland Books/Little, Brown
Review Posted Online: July 13, 2023
Kirkus Reviews Issue: Aug. 1, 2023
Fast-moving excitement with a satisfying finish.
The feds must protect an accused criminal and an orphaned girl.
Maybe you’ve met him before as protagonist of The 6:20 Man (2022): Ex-Army Ranger Travis Devine, who’d had the dubious fortune to tangle with “the girl on the train,” is now assigned by his homeland security boss to protect Danny Glass, who's awaiting trial on multiple RICO charges in Washington state. Devine has what it takes: He “was a closer, snooper, fixer, investigator,” and, when necessary, a killer. These skills are on full display as the deaths of three key witnesses grind justice to a temporary halt. Glass has a 12-year-old niece, Betsy Odom, and each is the other’s only living relative—her parents recently died of an apparent drug overdose. The FBI has temporary guardianship of Betsy, who's a handful. She tells Travis that though she’s not yet 13, she's 28 in “life-shit years.” The financially well-heeled Glass wants to be her legal guardian with an eye to eventual adoption, but what are his real motives? And what happens to her if he's convicted? Meanwhile, Betsy insists that her parents never touched drugs, and she begs Travis to find out how they really died. This becomes part of a mission that oozes danger. The small town of Ricketts has a woman mayor who’s full of charm on the surface, but deeply corrupt and deadly when crossed. She may be linked to a subversive group called "12/24/65," as in 1865, when the Ku Klux Klan beast was born. Blood flows, bombs explode, and people perish, both good guys and not-so-good guys. Readers might ponder why in fiction as well as in life, it sometimes seems necessary for many to die so one may live. And what about the girl on the train? She's not necessary to the plot, but she's a fun addition as she pops in and out of the pages, occasionally leaving notes for Travis. Maybe she still wants him dead.
Fast-moving excitement with a satisfying finish.Pub Date: Nov. 12, 2024
ISBN: 9781538757901
Page Count: 432
Publisher: Grand Central Publishing
Review Posted Online: Sept. 14, 2024
Kirkus Reviews Issue: Oct. 15, 2024
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.
Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.
Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.Pub Date: April 24, 2018
ISBN: 978-1-5011-5464-5
Page Count: 368
Publisher: Atria
Review Posted Online: Feb. 5, 2018
Kirkus Reviews Issue: Feb. 15, 2018
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