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BACK TO THE DIVIDE

This tepid second entry in the series has a tolerable plot arc but dull, zestless writing. Two creatures, from the magical realm he visited last summer, visit 14-year-old Felix, now cured (probably) of his fatal heart condition and happily at home in England. They freeze his parents with a marbleizing spell, and Felix is off again across “the Divide” to find a remedy. Many creatures figure into his adventure there, some recognizable from mythology but given unnecessary and pedestrian new names (unicorns are “brittlehorns,” for example). Shallow writing kills potentially interesting ideas such as an exploration of free will and an archetypal plot reference to Sleeping Beauty; actions and feelings are told rather than shown and there’s little for readers to sink their teeth into. Tedious. (Fantasy. 8-12)

Pub Date: July 1, 2004

ISBN: 0-439-63410-5

Page Count: 384

Publisher: Chicken House/Scholastic

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 15, 2004

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OUT OF THE DUST

The poem/novel ends with only a trace of hope; there are no pat endings, but a glimpse of beauty wrought from brutal reality.

Billie Jo tells of her life in Oklahoma during the Dust Bowl: Her mother dies after a gruesome accident caused by her father's leaving a bucket of kerosene near the stove; Billie Jo is partially responsible—fully responsible in the eyes of the community—and sustains injuries that seem to bring to a halt her dreams of playing the piano.

Finding a way through her grief is not made easier by her taciturn father, who went on a drinking binge while Billie Joe's mother, not yet dead, begged for water. Told in free-verse poetry of dated entries that span the winter of 1934 to the winter of 1935, this is an unremittingly bleak portrait of one corner of Depression-era life. In Billie Jo, the only character who comes to life, Hesse (The Music of Dolphins, 1996, etc.) presents a hale and determined heroine who confronts unrelenting misery and begins to transcend it.

The poem/novel ends with only a trace of hope; there are no pat endings, but a glimpse of beauty wrought from brutal reality. (Fiction. 9-12)

Pub Date: Oct. 1, 1997

ISBN: 978-0-590-36080-7

Page Count: 240

Publisher: Scholastic

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 15, 1997

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THE HOUSE OF DIES DREAR

Ideas abound, but when the focus shifts from Thomas' determination to take the measure of the house (literally and...

Dies Drear? Ohio abolitionist, keeper of a key station on the Underground Railroad, bearer of a hypercharged name that is not even noted as odd. Which is odd: everything else has an elaborate explanation.

Unlike Zeely, Miss Hamilton's haunting first, this creates mystery only to reveal sleight-of-hand, creates a character who's larger than life only to reveal his double. Thirteen-year-old Thomas Small is fascinated, and afraid, of the huge, uncharted house his father, a specialist in Negro Civil War history, has purposefully rented. A strange pair of children, tiny Pesty and husky Mac Darrow, seem to tease him; old bearded Pluto, long-time caretaker and local legend, seems bent on scaring the Smalls away. But how can a lame old man run fast enough to catch Thomas from behind? what do the triangles affixed to their doors signify? who spread a sticky paste of foodstuffs over the kitchen? Pluto, accosted, disappears. . . into a cavern that was Dies Drear's treasure house of decorative art, his solace for the sequestered slaves. But Pluto is not, despite his nickname, the devil; neither is he alone; his actor-son has returned to help him stave off the greedy Darrows and the Smalls, if they should also be hostile to the house, the treasure, the tradition. Pluto as keeper of the flame would be more convincing without his, and his son's, histrionics, and without Pesty as a prodigy cherubim. There are some sharp observations of, and on, the Negro church historically and presently, and an aborted ideological debate regarding use of the Negro heritage.

Ideas abound, but when the focus shifts from Thomas' determination to take the measure of the house (literally and figuratively), the story becomes a charade. (Mystery. 8-12)

Pub Date: Sept. 9, 1968

ISBN: 1416914056

Page Count: 260

Publisher: Macmillan

Review Posted Online: Oct. 26, 2011

Kirkus Reviews Issue: Sept. 1, 1968

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