THE MAJORITY

In her second novel, Silver takes her protagonist—who resembles Ruth Bader Ginsburg—from a humble start in Brooklyn to the Supreme Court.

Justice Sylvia Olin Bernstein grew up in a working-class family, went to an elite law school at a time when few women were admitted, and built a career fighting for civil rights—especially rights for women—before ascending to the highest court in the land. In a memoir found after her death, our protagonist begins her story in 1949, when her father’s cousin comes to live with her family. Mariana survived Auschwitz, and her belief that the American system of laws—unlike Germany’s—could forestall genocide is one of the things that gets Sylvia thinking about justice. When the rabbi presiding over her mother’s funeral says that women don’t count to make a minyan, she begins to think about equality for women. When she’s at Harvard, her own pregnancy almost puts an abrupt end to her education. After this, fighting for women’s rights will become her life’s work. Although Silver has created a character of world-historical importance, she places her on a very small stage, surrounded by a very small cast. Almost everyone Sylvia interacts with will become a significant person in her life. This is a serious limitation that doesn’t work to the book’s benefit. And to be clear: Small doesn’t mean intimate. Even though this is a first-person recollection, Sylvia remains something of a cypher. Sylvia’s relationship with Mariana evolves over the course of the novel, but her husband, her best friend, and her daughter seem like useful accessories rather than real people. Most importantly, the author’s choice to eschew interactions with minor characters—her peers at Harvard, her colleagues at every stage of her career, judges at various levels of the judiciary—and elide years at a time make it seem like winning landmark victories for women and serving on the Supreme Court were not so hard at all for a Jewish woman born in the 1930s.

A novel that clocks in at almost 400 pages shouldn’t feel like a detailed outline, but this one often does.