by Elizabeth Letts ‧ RELEASE DATE: Feb. 12, 2019
If readers can make sense of this story, they’re likely able to tackle the original instead.
Letts adapts her bestselling 2016 work of the same title for young readers.
As World War II sweeps across Europe, the fates of several master horsemen become entwined. In Poland, Andrzej Kristalovich, head of the national stud farm, sees his life’s work disappear when Russian soldiers capture his horses. Nazi Germans, invading next, restore some of the animals in order to breed them for the Third Reich. Meanwhile, in Vienna, Olympic medalist Alois Podhajsky is desperately trying to care for the Lipizzan stallions at the famed Spanish Riding School even as the invading Germans capture the Lipizzan stud farms and move most of the horses to Czechoslovakia. Meanwhile, at an American Army base in Kansas, Maj. Hank Reed is overseeing the cavalry’s transition from horses, no longer useful in warfare, to mechanized vehicles. These threads come together at the end of the war when Reed orchestrates a complex rescue of both sets of horses. This is not a particularly successful adaptation. It’s shorter than the original, but both the storyline and timeline are fragmented, making it difficult for the putative audience of 8- to 12-year-olds to follow, and extraneous details fail to advance the main narrative. Aside from a map and archival images (both not seen), there is no timeline or other visual aid to help organize the narrative. Characters are all white.
If readers can make sense of this story, they’re likely able to tackle the original instead. (author’s note, characters, bibliography) (Nonfiction. 10-14)Pub Date: Feb. 12, 2019
ISBN: 978-0-525-64474-3
Page Count: 272
Publisher: Delacorte
Review Posted Online: Oct. 15, 2018
Kirkus Reviews Issue: Nov. 1, 2018
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by Elizabeth Letts ; illustrated by Kayla Harren
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by Russell Freedman ‧ RELEASE DATE: Oct. 1, 2000
If Freedman wrote the history textbooks, we would have many more historians. Beginning with an engrossing description of the Boston Tea Party in 1773, he brings the reader the lives of the American colonists and the events leading up to the break with England. The narrative approach to history reads like a good story, yet Freedman tucks in the data that give depth to it. The inclusion of all the people who lived during those times and the roles they played, whether small or large are acknowledged with dignity. The story moves backwards from the Boston Tea Party to the beginning of the European settlement of what they called the New World, and then proceeds chronologically to the signing of the Declaration. “Your Rights and Mine” traces the influence of the document from its inception to the present ending with Martin Luther King and the Civil Rights movement of the 1960s. The full text of the Declaration and a reproduction of the original are included. A chronology of events and an index are helpful to the young researcher. Another interesting feature is “Visiting the Declaration of Independence.” It contains a short review of what happened to the document in the years after it was written, a useful Web site, and a description of how it is displayed and protected today at the National Archives building in Washington, D.C. Illustrations from the period add interest and detail. An excellent addition to the American history collection and an engrossing read. (Nonfiction. 9-13)
Pub Date: Oct. 1, 2000
ISBN: 0-8234-1448-5
Page Count: 112
Publisher: Holiday House
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Oct. 1, 2000
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by Russell Freedman ; illustrated by William Low
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by Ken Robbins & illustrated by Ken Robbins ‧ RELEASE DATE: Feb. 1, 2001
“In 1875 there were perhaps fifty million of them. Just twenty-five years later nearly every one of them was gone.” The author of many nonfiction books for young people (Bridges; Truck; Giants of the Highways, etc.) tells the story of the American bison, from prehistory, when Bison latifrons walked North America along with the dinosaurs, to the recent past when the Sioux and other plains Indians hunted the familiar bison. Robbins uses historic photographs, etchings, and paintings to show their sad history. To the Native Americans of the plains, the buffalo was central to their way of life. Arriving Europeans, however, hunted for sport, slaughtering thousands for their hides, or to clear the land for the railroad, or farmers. One telling photo shows a man atop a mountain of buffalo skulls. At the very last moment, enough individuals “came to their senses,” and worked to protect the remaining few. Thanks to their efforts, this animal is no longer endangered, but the author sounds a somber note as he concludes: “the millions are gone, and they will never come back.” A familiar story, well-told, and enhanced by the many well-chosen period photographs. (photo credits) (Nonfiction. 10-12)
Pub Date: Feb. 1, 2001
ISBN: 0-689-83025-4
Page Count: 32
Publisher: Atheneum
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2000
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