by Elizabeth MacLeod ; Frieda Wishinsky ; illustrated by Qin Leng ‧ RELEASE DATE: Aug. 1, 2013
Satisfying fare for the culturally myopic.
Unusual for its ambition if nothing else, this selective encyclopedia of “world” historical, cultural and scientific highlights offers at least a few unexpected choices but rarely looks beyond Europe and North America.
Arranged in chronological order, the 180 entries begin with the appearance of the first humans (“descended from apes,” as the authors inaccurately put it) about 6 million years ago and end with the 2011 earthquake near Japan. In between, they cover inventions from the plow to MP3 files, people from Confucius to Barack Obama, and events of diverse scale, from the “Rise of Greece” to the publication of the first Harry Potter book. Entries fill up a third of a page to a full spread; each features a date (with “BCE” appended for all before the year 1, justified by the optimistic claim that “it is acceptable to all peoples”), and most include both an informally drawn watercolor illustration and a quick, boxed comment on historical “ripples” that spread from the event or invention. This Canadian publication’s focus on its own national history is so close (not to mention Eurocentric: “1608: Champlain establishes permanent settlement in Canada”) that the American Civil War gets just two quick mentions—which is more notice than most African, Asian and Indian histories or cultures receive.
Satisfying fare for the culturally myopic. (index, no bibliography) (Nonfiction. 9-12)Pub Date: Aug. 1, 2013
ISBN: 978-1-55453-775-4
Page Count: 124
Publisher: Kids Can
Review Posted Online: June 25, 2013
Kirkus Reviews Issue: July 15, 2013
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by Jonah Winter ; illustrated by Jeanette Winter ‧ RELEASE DATE: March 31, 2020
Like oil itself, this is a book that needs to be handled with special care.
In 1977, the oil carrier Exxon Valdez spilled 11 million gallons of oil into a formerly pristine Alaskan ocean inlet, killing millions of birds, animals, and fish. Despite a cleanup, crude oil is still there.
The Winters foretold the destructive powers of the atomic bomb allusively in The Secret Project (2017), leaving the actuality to the backmatter. They make no such accommodations to young audiences in this disturbing book. From the dark front cover, on which oily blobs conceal a seabird, to the rescuer’s sad face on the back, the mother-son team emphasizes the disaster. A relatively easy-to-read and poetically heightened text introduces the situation. Oil is pumped from the Earth “all day long, all night long, / day after day, year after year” in “what had been unspoiled land, home to Native people // and thousands of caribou.” The scale of extraction is huge: There’s “a giant pipeline” leading to “enormous ships.” Then, crash. Rivers of oil gush out over three full-bleed wordless pages. Subsequent scenes show rocks, seabirds, and sea otters covered with oil. Finally, 30 years later, animals have returned to a cheerful scene. “But if you lift a rock… // oil / seeps / up.” For an adult reader, this is heartbreaking. How much more difficult might this be for an animal-loving child?
Like oil itself, this is a book that needs to be handled with special care. (author’s note, further reading) (Informational picture book. 9-12)Pub Date: March 31, 2020
ISBN: 978-1-5344-3077-8
Page Count: 40
Publisher: Beach Lane/Simon & Schuster
Review Posted Online: Nov. 23, 2019
Kirkus Reviews Issue: Dec. 15, 2019
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by Raymond Bial ‧ RELEASE DATE: Feb. 1, 2001
Bial (A Handful of Dirt, p. 299, etc.) conjures up ghostly images of the Wild West with atmospheric photos of weathered clapboard and a tally of evocative names: Tombstone, Deadwood, Goldfield, Progress, Calamity Jane, Wild Bill Hickock, the OK Corral. Tracing the life cycle of the estimated 30,000 ghost towns (nearly 1300 in Utah alone), he captures some echo of their bustling, rough-and-tumble past with passages from contemporary observers like Mark Twain: “If a man wanted a fight on his hands without any annoying delay, all he had to do was appear in public in a white shirt or stove-pipe hat, and he would be accommodated.” Among shots of run-down mining works, dusty, deserted streets, and dark eaves silhouetted against evening skies, Bial intersperses 19th-century photos and prints for contrast, plus an occasional portrait of a grizzled modern resident. He suggests another sort of resident too: “At night that plaintive hoo-hoo may be an owl nesting in a nearby saguaro cactus—or the moaning of a restless ghost up in the graveyard.” Children seeking a sense of this partly mythic time and place in American history, or just a delicious shiver, will linger over his tribute. (bibliography) (Nonfiction. 9-11)
Pub Date: Feb. 1, 2001
ISBN: 0-618-06557-1
Page Count: 48
Publisher: Houghton Mifflin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 1, 2001
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