by Elizabeth Marshall Thomas ‧ RELEASE DATE: Aug. 3, 1993
An astonishing work of ethology that asks—and answers clearly—a question about dogs that's so simple that, apparently, no one has ever tackled it before: ``What do dogs want?'' Thomas—a trained scientist and novelist who brings her storytelling skills (The Animal Wife, 1990, etc.) fully to bear in this beautifully written study—explains that, years ago, she realized that ``despite a vast array of publications on dogs, virtually nobody...had ever bothered to ask what dogs do when left to themselves.'' And so she set out to ask just that, first by unobtrusively bicycling along with a two-year-old husky, Misha, as the dog went about its daily roamings in the Cambridge, Massachusetts, area. Thomas's findings about Misha and ten other dogs (including a dingo) that followed him into her life— supplemented by her fieldwork with wolves—cause this report to be about ``dog consciousness'' as, through an elegant recap of her observations, the author convinces us that dogs can, among other skills, create customs; adopt human mannerisms; choose between alternatives; play games; and exhibit a moral sense (this made clear through the amazing incident in which a tiny pug stops a much larger dog from terrorizing some pet parakeets and mice). Just as impressively, Thomas depicts—without anthropomorphizing—a dog world bound by rules like hierarchism but one nonetheless in which each canine is a complex individual. Particularly fascinating is her account of the ``romantic love'' between Misha and his mate, Maria, in which the female remains monogamous even while in heat, as well Thomas's story of how her dogs, left wholly to their own devices, secretly dig a wolflike den behind a woodpile. What, then, do dogs want? ``They want to belong, and they want each other.'' Popular science of the highest order: revelatory, impeccably observed, and a joy to read. A four-woof salute to Thomas and a vigorous tail-wag to boot. (Drawings—not seen)
Pub Date: Aug. 3, 1993
ISBN: 0-395-66958-8
Page Count: 160
Publisher: Houghton Mifflin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 1, 1993
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by Elizabeth Marshall Thomas ; illustrated by Jonathan Bartlett
by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson
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by E.T.A. Hoffmann & illustrated by Julie Paschkis
by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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developed by Ludwig Bemelmans ; illustrated by Steven Salerno
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by Ludwig Bemelmans ; illustrated by Steven Salerno
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