A nuanced portrait of a Caribbean woman’s gradual enlightenment.
After witnessing a Black man shot by police in Vermont, a Caribbean professor tries to decide whether to take action.
When Lila Bonnard arrives in a small, predominantly White Vermont town, her fiance warns her “not to get involved in America’s racial problem.” On the way from the airport to the apartment where she’ll stay for a year’s teaching appointment, though, Lila witnesses police shoot and kill a Black man attempting to resuscitate a White woman. Before she understands what’s happened, Lila is involved. The few Black faculty members are eager for Lila to come forward with what she knows. The man who was killed, Ron Brown, had been a professor at the college and a friend of theirs. But Lila, an immigrant, is frightened of the ramifications of speaking out, and her fiance continues to warn against her involvement. Nunez’s latest novel, though it occasionally takes on the pacing and the plotting of a thriller—someone slips a threatening, unsigned note under Lila’s door—is essentially a quiet account of one woman’s gradual awakening. As a Black Caribbean, Lila’s experience and understanding of racism differ rather drastically from those of her new African American colleagues. The novel traces her growing understanding of the dynamics at play in American racism. Along those lines, Nunez’s prose is thoughtful, nuanced, and unrushed. But there are minor moments that feel improbable—not because the events described are outlandish, but because characters appear to respond to situations in ways that seem unlikely. Minutes after seeing Brown shot dead, for example, Lila has a casual conversation with her landlady in which she mentions, “My grandmother loves the soaps, especially General Hospital. You can’t speak to her when General Hospital is on.” Then, too, not all Nunez’s characters are painted with the same fine brush as Lila, and the dialogue often feels stilted. Still, as a portrait of Lila’s political and racial awakening, the novel is a grand success.
A nuanced portrait of a Caribbean woman’s gradual enlightenment.Pub Date: June 7, 2022
ISBN: 978-1-63614-024-7
Page Count: 256
Publisher: Akashic
Review Posted Online: April 26, 2022
Kirkus Reviews Issue: May 15, 2022
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.
A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.
When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.Pub Date: Feb. 6, 2024
ISBN: 9781250178633
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
PERSPECTIVES
BOOK TO SCREEN
SEEN & HEARD
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
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