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BELLE EPOQUE

A refreshingly relevant and inspiring historical venture.

The aristocrats and the poor clash in 1888-9 Paris.

Most Parisians dislike the new tower under construction by Monsieur Eiffel, but Maude, a 16-year-old who has run away from home, loves what others see as a monstrosity. Maude, too, is a monstrosity to some. A girl with no better than plain features, she nearly starves until she takes a job as a repoussoir. Wealthy women hire ugly women such as Maude to join them in public so that they will shine all the brighter in comparison. Countess Dubern hires Maude as a companion for her daughter Isabelle during the girl’s first social season, with the expectation that Maude will steer Isabelle into an engagement with the handsome and wealthy Duke d’Avaray. Rebellious Isabelle intends to study science at the Sorbonne instead, refusing to marry. The two girls develop a real friendship, leaving Maude torn between her job and her loyalty to Isabelle. Ross models her plot on an 1866 story by Zola, “Les Repoussoirs,” expanding its focus to highlight Maude’s plight and using that to illuminate the chasm that existed between the wealthy and the poor. Maude, with her artistic insight, her pluck and her intelligence, despite her lack of formal education, perhaps comes across as a less-than-typical adolescent of that time but holds readers’ interest throughout.

A refreshingly relevant and inspiring historical venture. (Historical fiction. 12 & up)

Pub Date: June 11, 2013

ISBN: 978-0-385-74146-0

Page Count: 336

Publisher: Delacorte

Review Posted Online: April 2, 2013

Kirkus Reviews Issue: May 1, 2013

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IF HE HAD BEEN WITH ME

There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head.

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  • New York Times Bestseller

The finely drawn characters capture readers’ attention in this debut.

Autumn and Phineas, nicknamed Finny, were born a week apart; their mothers are still best friends. Growing up, Autumn and Finny were like peas in a pod despite their differences: Autumn is “quirky and odd,” while Finny is “sweet and shy and everyone like[s] him.” But in eighth grade, Autumn and Finny stop being friends due to an unexpected kiss. They drift apart and find new friends, but their friendship keeps asserting itself at parties, shared holiday gatherings and random encounters. In the summer after graduation, Autumn and Finny reconnect and are finally ready to be more than friends. But on August 8, everything changes, and Autumn has to rely on all her strength to move on. Autumn’s coming-of-age is sensitively chronicled, with a wide range of experiences and events shaping her character. Even secondary characters are well-rounded, with their own histories and motivations.

There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head.   (Fiction. 14 & up)

Pub Date: April 1, 2013

ISBN: 978-1-4022-7782-5

Page Count: 336

Publisher: Sourcebooks Fire

Review Posted Online: Feb. 12, 2013

Kirkus Reviews Issue: March 1, 2013

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INDIVISIBLE

An ode to the children of migrants who have been taken away.

A Mexican American boy takes on heavy responsibilities when his family is torn apart.

Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.

An ode to the children of migrants who have been taken away. (Fiction. 14-18)

Pub Date: May 4, 2021

ISBN: 978-0-7595-5605-8

Page Count: 400

Publisher: Little, Brown

Review Posted Online: Feb. 22, 2021

Kirkus Reviews Issue: March 15, 2021

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