translated by Elizabeth Shub & Isaac Bashevis Singer & illustrated by Uri Shulevitz ‧ RELEASE DATE: Sept. 1, 1973
Singer's broadside history reminds us that the population of Chelm consists of no one but fools, and they've known nothing but trouble ever since Gronam Ox, first ruler and Sage of Sages, invented the word crisis. Chelm is then perceived to be So badly off that the council of sages (Dopey, Numskull, etc.) agrees that only a war can save the village, and though the soldiers end up invading the wrong town, never mind: "The truth is, the whole world considers us fools. No matter whom we attack, it will be exactly what they deserve." Instead it's the invaders who get what they deserve, and as "a lost war sooner or later is followed by a revolution, that is what happened in Chelm." But the rebel's decree against money only aggravates the discontent and confusion, so Feitel the thief takes over — only to be replaced, when his policies lead to further disaster, by Gronam and the sages back from exile. At last the Women's Party, led by Gronam's wife Yente Pesha, decides to run the government while the men do the dishes — "but Gronam remains optimistic: 'The future is bright. The chances are good that some day the whole world will be one great Chelm!'" Shulevitz' view of all parties — the gaping, head-scratching sages, the toothless, club-waving mob, Feitel's sinister thugs with cigarettes dangling from their mouths, and the orating yentes wielding rolling pins — is as consistently dim as Singer's; the Chelmites' universal uncomeliness in both pictures and action is relieved only by the ludicrous extent of the caricature.
Pub Date: Sept. 1, 1973
ISBN: 0374424292
Page Count: 64
Publisher: Farrar, Straus and Giroux
Review Posted Online: Oct. 4, 2011
Kirkus Reviews Issue: Sept. 1, 1973
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by Josh Schneider & illustrated by Josh Schneider ‧ RELEASE DATE: May 1, 2011
Broccoli: No way is James going to eat broccoli. “It’s disgusting,” says James. Well then, James, says his father, let’s consider the alternatives: some wormy dirt, perhaps, some stinky socks, some pre-chewed gum? James reconsiders the broccoli, but—milk? “Blech,” says James. Right, says his father, who needs strong bones? You’ll be great at hide-and-seek, though not so great at baseball and kickball and even tickling the dog’s belly. James takes a mouthful. So it goes through lumpy oatmeal, mushroom lasagna and slimy eggs, with James’ father parrying his son’s every picky thrust. And it is fun, because the father’s retorts are so outlandish: the lasagna-making troll in the basement who will be sent back to the rat circus, there to endure the rodent’s vicious bites; the uneaten oatmeal that will grow and grow and probably devour the dog that the boy won’t be able to tickle any longer since his bones are so rubbery. Schneider’s watercolors catch the mood of gentle ribbing, the looks of bewilderment and surrender and the deadpanned malarkey. It all makes James’ father’s last urging—“I was just going to say that you might like them if you tried them”—wholly fresh and unexpected advice. (Early reader. 5-9)
Pub Date: May 1, 2011
ISBN: 978-0-547-14956-1
Page Count: 48
Publisher: Clarion Books
Review Posted Online: April 4, 2011
Kirkus Reviews Issue: April 1, 2011
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by Chloe Perkins ; illustrated by Sandra Equihua ‧ RELEASE DATE: Sept. 13, 2016
A nice but not requisite purchase.
A retelling of the classic fairy tale in board-book format and with a Mexican setting.
Though simplified for a younger audience, the text still relates the well-known tale: mean-spirited stepmother, spoiled stepsisters, overworked Cinderella, fairy godmother, glass slipper, charming prince, and, of course, happily-ever-after. What gives this book its flavor is the artwork. Within its Mexican setting, the characters are olive-skinned and dark-haired. Cultural references abound, as when a messenger comes carrying a banner announcing a “FIESTA” in beautiful papel picado. Cinderella is the picture of beauty, with her hair up in ribbons and flowers and her typically Mexican many-layered white dress. The companion volume, Snow White, set in Japan and illustrated by Misa Saburi, follows the same format. The simplified text tells the story of the beautiful princess sent to the forest by her wicked stepmother to be “done away with,” the dwarves that take her in, and, eventually, the happily-ever-after ending. Here too, what gives the book its flavor is the artwork. The characters wear traditional clothing, and the dwarves’ house has the requisite shoji screens, tatami mats and cherry blossoms in the garden. The puzzling question is, why the board-book presentation? Though the text is simplified, it’s still beyond the board-book audience, and the illustrations deserve full-size books.
A nice but not requisite purchase. (Board book/fairy tale. 3-5)Pub Date: Sept. 13, 2016
ISBN: 978-1-4814-7915-8
Page Count: 24
Publisher: Little Simon/Simon & Schuster
Review Posted Online: Oct. 11, 2016
Kirkus Reviews Issue: Jan. 1, 2017
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