A distinctive selection that highlights an unknown heroine and her world as a lighthouse keeper.
A quiet life can contain multitudes.
In 1882, Kate Kaird, a German widow, and her young son, Jacob, arrived in the United States in search of a better life. Kate had no way of knowing that she would soon move to a lighthouse, be appointed an assistant keeper, and become one of the first female keepers of an offshore lighthouse on the East Coast. McCully’s loose, sweeping, yet specific illustrations combine seamlessly with Spires’ clear and engaging description of Kate’s new marriage to lighthouse keeper John Walker and subsequent relocation to a lighthouse in New York Bay. Daily rituals—the light was tended, the sirens were prepared to run during storms, and a boat was kept ready to be sent out in emergencies—are described with just the right amount of detail. At the same time, dramatic events show how a seemingly simple life of solitude (she was eventually appointed keeper after her husband’s death) can include action and heroics: Kate rescued more than 50 people before she retired at age 71. While not an obvious choice for a children’s biography, Kate comes alive through the combined talents of Spires and McCully, and their portrayal highlights how an ordinary woman can excel and pave the way for others by virtue of her dedication and fortitude. The illustrations reveal an all-White cast.
A distinctive selection that highlights an unknown heroine and her world as a lighthouse keeper. (biographical note, source notes, additional sources) (Picture book/biography. 6-10)Pub Date: Jan. 5, 2021
ISBN: 978-0-8234-4348-2
Page Count: 40
Publisher: Margaret Ferguson/Holiday House
Review Posted Online: Oct. 12, 2020
Kirkus Reviews Issue: Nov. 1, 2020
A unique angle on a watershed moment in the civil rights era.
The New Orleans school child who famously broke the color line in 1960 while surrounded by federal marshals describes the early days of her experience from a 6-year-old’s perspective.
Bridges told her tale to younger children in 2009’s Ruby Bridges Goes to School, but here the sensibility is more personal, and the sometimes-shocking historical photos have been replaced by uplifting painted scenes. “I didn’t find out what being ‘the first’ really meant until the day I arrived at this new school,” she writes. Unfrightened by the crowd of “screaming white people” that greets her at the school’s door (she thinks it’s like Mardi Gras) but surprised to find herself the only child in her classroom, and even the entire building, she gradually realizes the significance of her act as (in Smith’s illustration) she compares a small personal photo to the all-White class photos posted on a bulletin board and sees the difference. As she reflects on her new understanding, symbolic scenes first depict other dark-skinned children marching into classes in her wake to friendly greetings from lighter-skinned classmates (“School is just school,” she sensibly concludes, “and kids are just kids”) and finally an image of the bright-eyed icon posed next to a soaring bridge of reconciliation. (This book was reviewed digitally.)
A unique angle on a watershed moment in the civil rights era. (author and illustrator notes, glossary) (Autobiographical picture book. 6-8)Pub Date: Sept. 6, 2022
ISBN: 978-1-338-75388-2
Page Count: 48
Publisher: Orchard/Scholastic
Review Posted Online: June 21, 2022
Kirkus Reviews Issue: July 15, 2022
PERSPECTIVES
Blandly inspirational fare made to evoke equally shrink-wrapped responses.
An NBA star pays tribute to the influence of his grandfather.
In the same vein as his Long Shot (2009), illustrated by Frank Morrison, this latest from Paul prioritizes values and character: “My granddad Papa Chilly had dreams that came true,” he writes, “so maybe if I listen and watch him, / mine will too.” So it is that the wide-eyed Black child in the simply drawn illustrations rises early to get to the playground hoops before anyone else, watches his elder working hard and respecting others, hears him cheering along with the rest of the family from the stands during games, and recalls in a prose afterword that his grandfather wasn’t one to lecture but taught by example. Paul mentions in both the text and the backmatter that Papa Chilly was the first African American to own a service station in North Carolina (his presumed dream) but not that he was killed in a robbery, which has the effect of keeping the overall tone positive and the instructional content one-dimensional. Figures in the pictures are mostly dark-skinned. (This book was reviewed digitally.)
Blandly inspirational fare made to evoke equally shrink-wrapped responses. (Picture book. 6-8)Pub Date: Jan. 10, 2023
ISBN: 978-1-250-81003-8
Page Count: 32
Publisher: Roaring Brook Press
Review Posted Online: Sept. 27, 2022
Kirkus Reviews Issue: Oct. 15, 2022
BOOK REVIEW
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