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THE MOUSE OF AMHERST

A mouse becomes the perfect poetic companion to the reclusive poet Emily Dickinson in this heartfelt daydream from Spires (With One White Wing, 1995, etc.). When the small mouse Emmaline moves into the Dickinson household, she accidentally reads some scraps of verse penned by Emily. Reading poems inspires the rodent to write her own lines on the back of Emily’s paper, and to leave it for the poet to find. Thus the two become “pen pals,” writing verse and sharing it with each other, though rarely face to face. Readers gain a fanciful mouse’s-eye view of Emily’s life at home, where she is visited by an editor, and where she delivers homemade gingerbread to the neighborhood children by lowering a basket to them on a rope. Emmaline’s life is not as quiet as her human mentor’s; she’s chased by a cat, rooted out by a ferret, and eventually decides she must move on. Years later, Emmaline passes on her appreciation of poetry to her mice children, and continues to write. This diminutive little book, with its shy black-and-white line drawings and amusing plot, is an ideal introduction to Dickinson’s poetry. It’s also a strong advocate for the power of the written word, even in the absence of fame or speech, to communicate, to inspire friendships, and to stir the heart. (Fiction. 8-11)

Pub Date: March 26, 1999

ISBN: 0-374-35083-3

Page Count: 64

Publisher: Farrar, Straus and Giroux

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 1999

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THE FIRST CAT IN SPACE AND THE WRATH OF THE PAPERCLIP

From the First Cat in Space series , Vol. 3

File under “laugh riot.”

A rogue spell-check program’s bid to transform all life-forms into that eminently useful office item, the paper clip, touches off a fresh round of lunar lunacy.

Predicated on the entirely reasonable premise that eliminating all spelling and grammar errors everywhere would logically lead to the necessity of exterminating carbon-based life in the universe, this third series entry combines high stakes with daffy banter and daring exploits. CheckMate—a chipper, jumped-up editing program—has invented the Transmogratron, a giant laser that will fulfill its ultimate goals in both the cyber world and “meatspace.” Facing challenges as random as prankster lunar unicorns and a disarmingly motherly Motherboard, scowling First Cat joins a motley crew of diversely carbon- and silicon-based allies, led by the pearlescent Queen of the Moon. They’re in a race to the finish—diverted occasionally by, for instance, a relentlessly punny comic-book interlude featuring a pair of literal and figurative Pool Sharks. They ultimately triumph thanks to teamwork and moxie. Following a celebratory party and toasts to “new friends…and steadfast comrades” (and, of course, “MEOW”), the story’s energetic, brightly colored panels close with a reveal of the next volume. (“I always hate it when comics end by announcing a sequel. SO CRINGE!” declares an authorial stand-in.) It can’t come too soon.

File under “laugh riot.” (Graphic science fiction. 8-11)

Pub Date: Nov. 5, 2024

ISBN: 9780063315280

Page Count: 272

Publisher: HarperAlley

Review Posted Online: Sept. 14, 2024

Kirkus Reviews Issue: Oct. 15, 2024

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LADY LOLLIPOP

The author of Babe, the Gallant Pig (1985) offers another winner with this tale of a bright pig and her canny young keeper “training” a spoiled princess. When Princess Penelope demands a pig for her eighth birthday, her over-indulgent father requires every pig keeper in the country to assemble with a likely porcine candidate. The princess settles on Lollipop, who turns out to be the sole possession of penniless orphan Johnny Skinner. As only Johnny can get Lollipop to sit, roll over, or poop outdoors, soon lad and pig are comfortably ensconced together in a royal stall—at least until the pig can be persuaded to respond to the Princess’s commands. It’s only the beginning of a meteoric rise for Johnny, and for Lollipop too, as the two conspire to teach the princess civilized manners, and end up great favorites of the entire royal family. Barton (Rattletrap Car, p. 504, etc.) captures Penelope’s fuming, bratty character perfectly in a generous array of line drawings, and gives Lollipop an expression of affectionate amusement that will win over readers as effortlessly as it wins over the princess and her parents. Move over, Wilbur. (Fiction. 8-10)

Pub Date: June 1, 2001

ISBN: 0-7636-1269-3

Page Count: 128

Publisher: Candlewick

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 2001

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