A dark, humorous portrait of a dysfunctional modern family. With its interesting premise and diverse, flawed characters,...
If revenge is a dish best served cold, then Marylou Ahearn is serving up ice cream.
Some 50 years after being unknowingly exposed to radiation during a scientific study of pregnant women, she vows to finally kill the doctor in charge of the experiment—one Wilson Spriggs. Not only did the procedure leave her with lingering health issues, but she remains convinced that it contributed to the death of her daughter Helen, who passed from childhood cancer. Taking her alias, Nancy Archer, from the radioactive heroine of the camp classic film Attack of the 50 Foot Woman, she heads down to Tallahassee, where Wilson now lives with his daughter and her family. Moving into their neighborhood, she befriends Wilson’s 13-year-old granddaughter Suzi, and discovers, to her chagrin, that he is suffering from early dementia symptoms and is unlikely to even remember the experiment. Biding her time and deciding whether or not to kill the old man, Marylou plans to secretly torment his family, not understanding that they are already doing that to themselves. Mom Caroline feels stifled in her marriage to Vic, and dreams of moving to Memphis with her eldest daughter Ava. Ava, an awkward beauty, is obsessed with Elvis Presley and dreams of becoming a model. The oldest son, Otis, who struggles, like Ava, with Asperger’s Syndrome, is secretly trying to build a breeder reactor in a backyard shed, using information he gleans from his grandpa. And weary patriarch Vic is sexually tempted by an old friend, Gigi, who works for him. Marylou insinuates herself into all their lives, taking Suzi to a megachurch and Ava to a photo shoot, where a sleazy photog snaps nudes of her. Several family disasters ensue, and Marylou ends up kidnapping Wilson, who may recollect more than he lets on.
A dark, humorous portrait of a dysfunctional modern family. With its interesting premise and diverse, flawed characters, Stuckey-French’s (Mermaids on the Moon, 2002, etc.) black comedy could have been even stronger. A tighter plot and a more developed heroine would have helped.Pub Date: Feb. 8, 2011
ISBN: 978-0-385-51064-6
Page Count: 320
Publisher: Doubleday
Review Posted Online: Dec. 22, 2010
Kirkus Reviews Issue: Dec. 15, 2010
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
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