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THE ANIMAL RESCUE STORE

The author’s background in writing and composing for the theater is evident in this unusual collection of poetry that begs to be read aloud in dramatic voices or acted out as a class play. The 21 poems form a narrative arc that describes the inhabitants of a combination animal-rescue center and pet store, a fantastic sort of shelter that will take in a llama or a lobster. The unnamed narrator, usually an African-American teenaged boy who seems to be a helper at the shelter, introduces the owner of the store and a wide variety of potential pets. Swados uses stream-of-consciousness musings, invented words and animals sounds, snappy conversations and wildly imaginative characterizations to give the storeowner and each animal a unique personality. She isn’t afraid to use rap conventions, near-rhymes or incorrect grammar when it suits the narrator, and she doesn’t worry too much about her rhyme schemes or use of commas. Somehow, it all works together, enhanced by Wilson’s vibrant illustrations, bright background colors and a jazzy design. (Poetry. 5-10)

Pub Date: March 1, 2005

ISBN: 0-439-55476-4

Page Count: 48

Publisher: Levine/Scholastic

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 1, 2005

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DIARY OF A SPIDER

The wriggly narrator of Diary of a Worm (2003) puts in occasional appearances, but it’s his arachnid buddy who takes center stage here, with terse, tongue-in-cheek comments on his likes (his close friend Fly, Charlotte’s Web), his dislikes (vacuums, people with big feet), nervous encounters with a huge Daddy Longlegs, his extended family—which includes a Grandpa more than willing to share hard-won wisdom (The secret to a long, happy life: “Never fall asleep in a shoe.”)—and mishaps both at spider school and on the human playground. Bliss endows his garden-dwellers with faces and the odd hat or other accessory, and creates cozy webs or burrows colorfully decorated with corks, scraps, plastic toys and other human detritus. Spider closes with the notion that we could all get along, “just like me and Fly,” if we but got to know one another. Once again, brilliantly hilarious. (Picture book. 6-8)

Pub Date: Aug. 1, 2005

ISBN: 0-06-000153-4

Page Count: 40

Publisher: Joanna Cotler/HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 2005

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HENRY AND MUDGE AND THE STARRY NIGHT

From the Henry and Mudge series

Rylant (Henry and Mudge and the Sneaky Crackers, 1998, etc.) slips into a sentimental mode for this latest outing of the boy and his dog, as she sends Mudge and Henry and his parents off on a camping trip. Each character is attended to, each personality sketched in a few brief words: Henry's mother is the camping veteran with outdoor savvy; Henry's father doesn't know a tent stake from a marshmallow fork, but he's got a guitar for campfire entertainment; and the principals are their usual ready-for-fun selves. There are sappy moments, e.g., after an evening of star- gazing, Rylant sends the family off to bed with: ``Everyone slept safe and sound and there were no bears, no scares. Just the clean smell of trees . . . and wonderful green dreams.'' With its nice tempo, the story is as toasty as its campfire and swaddled in Stevenson's trusty artwork. (Fiction. 6-8)

Pub Date: April 1, 1998

ISBN: 0-689-81175-6

Page Count: 48

Publisher: Simon & Schuster

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 1, 1998

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