A candid, sharply etched self-portrait.
A fiction writer explores the causes, and consequences, of her desire to be perfect.
Tallent (Creative Writing/Stanford Univ.; Mendocino Fire: Stories, 2015, etc.) makes her debut as a memoirist with an intimate examination of her quest for perfection, which has dogged her since childhood. Perfectionism, she writes, “is set apart from other forms of trouble by the inflamed genius of its self-abuse and its pleasurableness.” It tyrannizes her by “dangling before me flawless elizabeths who would transcend limitations lightly, with every hair in place”: a fantasy woman with the power “to intensify, focus, motivate.” To those who do not suffer it, perfectionism can seem like “ambition on steroids,” but Tallent is ever aware of its debilitating effects. Early success as a writer caused her to feel “quickened self-consciousness, elevated standards” that led to an inability to write for more than 20 years. Sentences she created “written in pursuit of transcendence were dull. For the sake of perfection I took a voice, my own, and twisted until mischance and error and experiment were wrung from it, and with them any chance of aliveness.” Seeking the sources of her obsession, Tallent learned that her mother, also a perfectionist, refused to hold her newborn daughter because she saw a scratch near the infant’s eyelid—self-inflicted in utero—that aroused her revulsion. Nineteen when her mother disclosed this, Tallent felt relief at knowing, at last, “a necessary piece of my life.” Besides causing inhibition, self-doubt, mistrust, anxiety, and depression, perfectionism is characterized by self-absorption—“the failure to be interested in things as they are, or people as they are”—a trait that unfortunately focuses the narrative too narrowly on its wounded protagonist. As she portrays herself as a girlfriend, wife, bookstore clerk, analysand, and writing program director, Tallent admits that among her shortcomings was a tendency to judge others harshly “with perfectionist righteousness.” The author’s prose is dense, precise, and often lyrical, but the relentless energy of her long sentences and pageslong paragraphs sometimes feels overwhelming.
A candid, sharply etched self-portrait.Pub Date: Feb. 25, 2020
ISBN: 978-0-06-241037-5
Page Count: 256
Publisher: Harper/HarperCollins
Review Posted Online: Oct. 18, 2019
Kirkus Reviews Issue: Nov. 15, 2019
BOOK REVIEW
BOOK REVIEW
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...
The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990).
Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.
Pub Date: Jan. 1, 1996
ISBN: 0-679-42850-X
Page Count: 320
Publisher: Villard
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 1995
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