A cute yet complex tale about solving conflicts with creative solutions.
An art contest sparks a big argument.
Evelyn is an excitable young girl who’s ready to take on the art world. Armed with a flyer for a local competition, she heads to idyllic Picnic Hill Park to meet up with her friends Dylan, a mercurial kid with an undercut hairstyle, and Avery, an affectionate, anthropomorphic skunk. Lacking inspiration but eager to win, Dylan starts to complain. Evelyn suggests that the three of them enter the contest as a group, though Avery is hesitant. Soon, Dylan starts bossing Avery around. A yelling match ensues, and Avery storms off. Evelyn tries to help her friends separately but only gets further entangled—which doesn’t leave her much time for her own creative aspirations. This is a surprisingly intense story of young friends in conflict, with Evelyn’s mom serving as a gentle, empathetic confidant for both her frustrated daughter and her apologetic friends. Their nurturing bond helps Evelyn grow as she confronts a challenging situation, and eventually Dylan and Avery find a way to help Evelyn shine. Pierre’s illustrations have a bubbly, lighthearted energy, and her characters physically express big emotions: Tear-filled eyes brim to overflowing on many occasions, but happy hugs abound as well. Evelyn and her mom are Black, Dylan is tan-skinned, and fellow contestants include a kangaroo and a girl in a headscarf.
A cute yet complex tale about solving conflicts with creative solutions. (Graphic fiction. 6-10)Pub Date: Sept. 3, 2024
ISBN: 9780358681571
Page Count: 96
Publisher: Clarion/HarperCollins
Review Posted Online: May 31, 2024
Kirkus Reviews Issue: July 1, 2024
BOOK REVIEW
A brisk if bland offering for series fans, but cleverer metafictive romps abound.
The titular cookie runs off the page at a bookstore storytime, pursued by young listeners and literary characters.
Following on 13 previous How To Catch… escapades, Wallace supplies sometimes-tortured doggerel and Elkerton, a set of helter-skelter cartoon scenes. Here the insouciant narrator scampers through aisles, avoiding a series of elaborate snares set by the racially diverse young storytime audience with help from some classic figures: “Alice and her mad-hat friends, / as a gift for my unbirthday, / helped guide me through the walls of shelves— / now I’m bound to find my way.” The literary helpers don’t look like their conventional or Disney counterparts in the illustrations, but all are clearly identified by at least a broad hint or visual cue, like the unnamed “wizard” who swoops in on a broom to knock over a tower labeled “Frogwarts.” Along with playing a bit fast and loose with details (“Perhaps the boy with the magic beans / saved me with his cow…”) the author discards his original’s lip-smacking climax to have the errant snack circling back at last to his book for a comfier sort of happily-ever-after.
A brisk if bland offering for series fans, but cleverer metafictive romps abound. (Picture book. 6-8)Pub Date: Aug. 3, 2021
ISBN: 978-1-7282-0935-7
Page Count: 40
Publisher: Sourcebooks Wonderland
Review Posted Online: July 26, 2021
Kirkus Reviews Issue: Aug. 15, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
More trampling in the vineyards of the Literary Classics section, with results that will tickle fancies high and low.
Recasting Dog Man and his feline ward, Li’l Petey, as costumed superheroes, Pilkey looks East of Eden in this follow-up to Tale of Two Kitties (2017).
The Steinbeck novel’s Cain/Abel motif gets some play here, as Petey, “world’s evilest cat” and cloned Li’l Petey’s original, tries assiduously to tempt his angelic counterpart over to the dark side only to be met, ultimately at least, by Li’l Petey’s “Thou mayest.” (There are also occasional direct quotes from the novel.) But inner struggles between good and evil assume distinctly subordinate roles to riotous outer ones, as Petey repurposes robots built for a movie about the exploits of Dog Man—“the thinking man’s Rin Tin Tin”—while leading a general rush to the studio’s costume department for appropriate good guy/bad guy outfits in preparation for the climactic battle. During said battle and along the way Pilkey tucks in multiple Flip-O-Rama inserts as well as general gags. He lists no fewer than nine ways to ask “who cut the cheese?” and includes both punny chapter titles (“The Bark Knight Rises”) and nods to Hamiltonand Mary Poppins. The cartoon art, neatly and brightly colored by Garibaldi, is both as easy to read as the snappy dialogue and properly endowed with outsized sound effects, figures displaying a range of skin colors, and glimpses of underwear (even on robots).
More trampling in the vineyards of the Literary Classics section, with results that will tickle fancies high and low. (drawing instructions) (Graphic fantasy. 7-10)Pub Date: Dec. 26, 2017
ISBN: 978-0-545-93518-0
Page Count: 256
Publisher: Graphix/Scholastic
Review Posted Online: May 13, 2018
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