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THE RIGHT TO PRIVACY

Name: THE RIGHT TO PRIVACY
Author: Ellen Alderman
ISBN: 0-679-41986-1

by Ellen Alderman & Caroline Kennedy ‧ RELEASE DATE: Nov. 10, 1995

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Human-interest stories of privacy invaded, plus a smattering of legal concepts for the uninitiated. Alderman and Kennedy (In Our Defense, 1991) reprise their bestselling formula to explore that most nebulous of constitutional guarantees, the right to privacy, which, while not explicitly stated in the Constitution, has been judicially determined to be ``implied'' by it. As in their first book, the authors explore the parameters of the law by focusing on real-life dramas: the women strip-searched by the Chicago police for minor parking violations; the high school girl videotaped in the act of sex with her boyfriend; the female animal trainer whose photo appeared in a porno magazine without her permission. Most of the stories here involve women, a fact that the authors don't acknowledge. (Do women run into privacy issues more often? Do they just make better copy?) Some of the incidents we've read about in the newspaper, such as the attorney whose lesbian marriage ceremony led to her being fired from the Georgia attorney general's office, or the case of the divorced Tennessee couple battling over rights to frozen embryos. One story stands out: the case of the hospital struggling to decide whether to perform an emergency cesarean on a dying cancer patient in order to save her 26-week-old fetus. Here the authors tell a wrenching tale and fully explore the competing legal, ethical, and medical issues introduced at the emergency judicial hearing. But too much here is superficial: The authors recite the facts, describe the privacy issues involved, mention competing interests (such as freedom of the press), and cite related cases without comment. Alderman and Kennedy don't seem to have a take, legal or moral, on the right to privacy, and so ironically, their book offers little more than titillation. (First printing of 100,000; Book-of-the-Month Club selection; author tour)

Pub Date: Nov. 10, 1995

ISBN: 0-679-41986-1

Page Count: 352

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 1, 1995

Categories:

GENERAL NONFICTION

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NUTCRACKER

by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996

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This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

Categories:

GENERAL NONFICTION

- BOOK REVIEW
THE NUTCRACKER AND THE MOUSE KING
by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson

- BOOK REVIEW
THE NUTCRACKER
by E.T.A. Hoffmann & illustrated by Julie Paschkis

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955

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An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.