Feldman has created a compelling woman who knows her own mind and insists on using it.
Set during the 1950s Red Scare, this novel features Fanny Fabricant, an unlikely heroine who makes a journey from conformity to independence and strength.
Fanny Baum, whose mother died when she was a child, marries Max Fabricant just before he ships off to World War II, and she immediately becomes pregnant with their daughter, Chloe. Unlike the husbands of some other women in Fanny’s circle, Max returns from the war, but Fanny ends up a single mother anyway when Max dies a few years later. Written in the third person, the story unfurls from Fanny’s point of view and, to a lesser extent, Chloe’s. Coaxed by her fearsome “maiden” Aunt Rose, as well as her own ennui and financial straits, Fanny gets a job as a secretary at a company that produces daytime radio serials—don’t call them soap operas. Feldman does a fine job of evoking the 1950s, using language and cultural references to films, books, and, most of all, social mores to make the period spring to life. She brings Fanny into focus through the presence of her loving and traditional extended Jewish family. Fanny’s growing opposition to restrictions on women’s independence drives her narrative. Aunt Rose emerges as a hero, bluntly questioning Fanny’s timidity and subtly encouraging her niece’s growing ambition. Two men vie for Fanny’s attention: Ezra Rapaport, a kind and caring family doctor, and Charlie Berlin, a screenwriter with an acerbic wit and a kind heart. Fanny’s search for who she wants to be evolves into a captivating love story, complicated by the career-destroying threats of the McCarthy era. Chloe, too, grows from a sad little girl missing her daddy to a perceptive young woman.
Feldman has created a compelling woman who knows her own mind and insists on using it.Pub Date: Feb. 20, 2024
ISBN: 9781250879462
Page Count: 368
Publisher: St. Martin's Griffin
Review Posted Online: Dec. 6, 2023
Kirkus Reviews Issue: Jan. 1, 2024
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
A dark and twisty look at just how far one woman is willing to go to find inspiration.
A struggling writer finds an unexpected muse when a mysterious man shows up at her cabin.
Petra Rose used to pump out a bestselling book every six months, but then the adaptation happened—that is, the disastrous film adaptation of her most famous book. The movie changed the book’s storyline so egregiously that fans couldn’t forgive her, and the ensuing harassment sent Petra into hiding and gave her a serious case of writer’s block. Petra’s one hope is her solo writing retreat at a remote cabin, where she can escape the distractions of real life and focus on her next book, a story about a woman having an affair with a cop. When officer Nathaniel Saint shows up at her cabin door, inspiration comes flooding back. Much like the character from Petra’s book, Saint is married, and he’s willing to be Petra’s muse, helping her get into her characters’ heads. Petra’s book is practically writing itself, but is the game she’s playing a little too dangerous? Does she know when to stop—and, more importantly, is Saint willing to stop? Hoover is no stranger to controversial movie adaptations and internet backlash, but she clarifies in a note to readers that she’s “just a writer writing about a writer” and that no further connections to her own life are contained in these pages—which is a good thing, because the book takes some horrifying twists and turns. Petra finds herself inexplicably attracted to Saint, even as she describes him as “such an asshole,” and her feelings for him veer between love and hate. The novel serves as a meta commentary on the dark romance genre—as Petra puts it, “Even though, as readers, we wouldn’t want to live out some of the fantasies we read about, it doesn’t mean we don’t enjoy reading those things.”
A dark and twisty look at just how far one woman is willing to go to find inspiration.Pub Date: Jan. 13, 2026
ISBN: 9781662539374
Page Count: -
Publisher: Montlake
Review Posted Online: Sept. 27, 2025
Kirkus Reviews Issue: Nov. 1, 2025
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