A clever concept delivered in a quick beach read; plenty of amusing canine antics for those who love dogs and their slightly...
A young woman decides to open a bakery where humans can sip coffee while their dogs indulge in the specialty of the day.
Millie Whitfield is walking her two rescue shelties, Luke and Annie, when she sees that Cristopher’s Ice Cream and Cookie Shoppe in Houndsville has suddenly closed and the building is up for sale. It is the perfect location for Millie to fulfill her dream of opening a dog bakery. Now she just needs her husband, Carl, to buy the old farmhouse—plus she must assemble a team to work with her. Fortunately, she has hometown friends to call on. Carolyn will help with management, and MaryEllen (the live-in girlfriend of Millie’s older brother, Bradley) will do the baking. Longtime friend Todd fills out the crew. After almost losing the space to the owner of Miss Annabel’s Tea and Coffee Emporium, Millie finally opens the bakery. But Annabel Larson continues to try to sabotage the enterprise, including reporting supposed violations to the health department. When Millie is not spending time running the bakery—including throwing a birthday party for Luke, complete with a dog-safe cake—she is busy playing matchmaker for her customers and friends and organizing an emergency fundraising ball to cover medical costs for 87 shelties rescued from a backyard breeder. Stylistically, Gilman’s (Mollie’s Tail, 2013) prose is casual and too often cutesy—the shops of Houndsville have annoyingly alliterative names (Julie’s Jewels; Frannie’s Flowers; Bridget’s Bookstop), and Millie is always in need of one of Carl’s “squishy hugs.” Character development is minimal, but with the exception of Annabel, the cast—both human and furry—makes for pleasant company. And it’s fun to watch the team devise unique, dog-friendly recipes for biscuits, pupcakes, and muffins. More importantly, the primary message of the breezy narrative—to urge the adoption of rescue dogs—is solidly communicated without sounding too preachy.
A clever concept delivered in a quick beach read; plenty of amusing canine antics for those who love dogs and their slightly quirky humans.Pub Date: May 18, 2018
ISBN: 978-1-4575-6188-7
Page Count: 294
Publisher: Dog Ear Publishing
Review Posted Online: June 25, 2018
Review Program: Kirkus Indie
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
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PERSPECTIVES
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