A bitter start leads to a sweet conclusion.
“What Money Can Do / Make you feel invincible. // What No Money Can Do / Make you feel invisible.”
As the daughter of one of Lexington, Kentucky’s wealthy families, Chloe Brooks leads a privileged life. As she readies for a summer including a trip to Europe and music camp in Los Angeles, she parties the night away alongside her boyfriend and best friend at an event celebrating her father’s success. The next morning, Chloe’s life is upended as she watches her father’s arrest on fraud charges. She and her mother retreat to Limestone Apartments, a complex on the racially integrated working-class side of town where Chloe’s mother grew up. Long neglected and in disrepair, the complex is their only asset that the state can’t seize since it’s in her mom’s name alone. Chloe’s culture shock is soothed by the camaraderie of the complex’s teen residents, especially the charming optimist Clint Jackson, who shows Chloe that kindness and love don’t cost a thing. Highlighting Chloe’s insecurity, shame, and increasing self-awareness, the book elicits readers’ empathy as she struggles, learns, and develops a newfound sense of self. However, the story sometimes glosses over the harsh realities of poverty and racism, risking making the Limestone community feel like props for Chloe’s growth. The mother-daughter relationship shines brightest, while Clint’s buoyant attitude keeps the tone afloat. Primary characters are cued white; secondary characters are identified as Black, Latine, and queer.
A bitter start leads to a sweet conclusion. (Verse fiction. 12-18)Pub Date: Sept. 5, 2023
ISBN: 9781547610211
Page Count: 304
Publisher: Bloomsbury
Review Posted Online: June 21, 2023
Kirkus Reviews Issue: July 15, 2023
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head.
The finely drawn characters capture readers’ attention in this debut.
Autumn and Phineas, nicknamed Finny, were born a week apart; their mothers are still best friends. Growing up, Autumn and Finny were like peas in a pod despite their differences: Autumn is “quirky and odd,” while Finny is “sweet and shy and everyone like[s] him.” But in eighth grade, Autumn and Finny stop being friends due to an unexpected kiss. They drift apart and find new friends, but their friendship keeps asserting itself at parties, shared holiday gatherings and random encounters. In the summer after graduation, Autumn and Finny reconnect and are finally ready to be more than friends. But on August 8, everything changes, and Autumn has to rely on all her strength to move on. Autumn’s coming-of-age is sensitively chronicled, with a wide range of experiences and events shaping her character. Even secondary characters are well-rounded, with their own histories and motivations.
There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head. (Fiction. 14 & up)Pub Date: April 1, 2013
ISBN: 978-1-4022-7782-5
Page Count: 336
Publisher: Sourcebooks Fire
Review Posted Online: Feb. 12, 2013
Kirkus Reviews Issue: March 1, 2013
BOOK REVIEW
SEEN & HEARD
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
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