by Ellen Matzer and Valery Hughes ‧ RELEASE DATE: June 11, 2019
An accessible, universal, heartbreaking, and gut-wrenching AIDS chronicle.
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In this debut book, two nurses show how the advent of the HIV infection permanently altered a vulnerable minority and the boundaries of global health care.
Based on actual events in their lives, career clinicians Matzer and Hughes begin their intensive, exquisitely moving narrative at the end of the 1970s in a Manhattan hospital where rapid-onset, opportunistic infections like pneumocystis carinii pneumonia first began immobilizing gay men at alarming rates. From the first hints of a “Gay Cancer” to future milestones in disease developments and pharmaceutical intervention, the authors diligently and compassionately narrate firsthand how a community joined together throughout the ’80s and ’90s to care for the dying, to inspire solidarity through candlelight vigils, to extinguish stigma and shame, and to fight for the right to die with dignity. With seamless ease, the book’s timeline smoothly oscillates back and forth from Matzer’s and Hughes’ historical trajectories through their grueling nursing school years into their close friendship and essential work with AIDS patients. Supplementing this poignant chronicle are reflections from both authors on the positive and negative aspects of that indelible era. As an open lesbian who was closeted when the epidemic began, Hughes remarks that she used to view the entire period of death and disease “through my identity as a gay woman, but lately, I think I have viewed it as a New Yorker. I felt that way especially after 9/11.” For lay readers, clinical footnotes are sprinkled throughout, offering explanations and specific terminology on disease symptoms and medical procedures. Structured in an intensely personalized manner with heartfelt prose and intimate, exacting details, the work ushers readers right into the authors’ AIDS ward, where sick men and women lay dying, at the mercy of homophobia and cruel bias, as disease researchers rushed to demystify and mitigate the medical carnage while perplexed politicians vacillated. The book is also a touching tribute to the resilience of a community; its unified, unconditional allies; and the human kindness that continues to interconnect everyone in times of horrific atrocities. “Despite all the bullshit that happens,” Matzer declares, “most of us come together when we need to.”
An accessible, universal, heartbreaking, and gut-wrenching AIDS chronicle.Pub Date: June 11, 2019
ISBN: 978-1-951072-01-8
Page Count: 244
Publisher: Tree District Books
Review Posted Online: Aug. 27, 2019
Kirkus Reviews Issue: Oct. 15, 2019
Review Program: Kirkus Indie
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson
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by E.T.A. Hoffmann & illustrated by Julie Paschkis
by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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developed by Ludwig Bemelmans ; illustrated by Steven Salerno
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by Ludwig Bemelmans ; illustrated by Steven Salerno
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