A lovely story of using empathy to work through culture clashes.
Sasquatch Hugo and human Boone deal with monsters, stereotypes, and cultural misunderstandings in the follow-up to Big Foot and Little Foot (2018).
After three years spent collecting wrappers from Mad Marvin’s Monster Cards, Hugo has finally saved up enough to send in for a prize. What arrives is a wristwatch-style monster detector filled with weechie-weechie moths that will flap their wings noisily when monsters are near. Exploring Widdershins Cavern in search of monsters, the detector guides Hugo to a secret entrance to the Big Wide World—where green fur and bones indicate the presence of the Green Whistler, a creature rumored to eat young squidges like him. Meanwhile, home-schooled Boone turns up at the Academy for Curious Squidges, wanting to attend; while only one of the sasquatch kids is openly prejudiced against humans, Boone endures an escalating string of misunderstandings that’s ended only by another crisis—the reappearance of the Green Whistler. Budding cryptozoologists Boone and Hugo pursue only to discover one last misunderstanding and a family history of cross-species friendship. The sasquatch humor and heroes’ earnestness make for a compelling story with natural flow, and the turnabout scenarios in which white Boone operates as a minority among the sasquatches are thoughtfully done.
A lovely story of using empathy to work through culture clashes. (final art unseen) (Fantasy. 5-9)Pub Date: Sept. 11, 2018
ISBN: 978-1-4197-3122-8
Page Count: 128
Publisher: Amulet/Abrams
Review Posted Online: May 22, 2018
Kirkus Reviews Issue: June 15, 2018
It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists.
How to raise money for a coveted poster: put your friends to work!
John, founder of the FUBU fashion line and a Shark Tank venture capitalist, offers a self-referential blueprint for financial success. Having only half of the $10 he needs for a Minka J poster, Daymond forks over $1 to buy a plain T-shirt, paints a picture of the pop star on it, sells it for $5, and uses all of his cash to buy nine more shirts. Then he recruits three friends to decorate them with his design and help sell them for an unspecified amount (from a conveniently free and empty street-fair booth) until they’re gone. The enterprising entrepreneur reimburses himself for the shirts and splits the remaining proceeds, which leaves him with enough for that poster as well as a “brand-new business book,” while his friends express other fiscal strategies: saving their share, spending it all on new art supplies, or donating part and buying a (math) book with the rest. (In a closing summation, the author also suggests investing in stocks, bonds, or cryptocurrency.) Though Miles cranks up the visual energy in her sparsely detailed illustrations by incorporating bright colors and lots of greenbacks, the actual advice feels a bit vague. Daymond is Black; most of the cast are people of color. (This book was reviewed digitally.)
It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists. (Picture book. 7-9)Pub Date: March 21, 2023
ISBN: 978-0-593-56727-2
Page Count: 40
Publisher: Random House
Review Posted Online: Dec. 13, 2022
Kirkus Reviews Issue: Jan. 1, 2023
The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted...
Reinvention is the name of the game for two blobs of clay.
A blue-eyed gray blob and a brown-eyed brown blob sit side by side, unsure as to what’s going to happen next. The gray anticipates an adventure, while the brown appears apprehensive. A pair of hands descends, and soon, amid a flurry of squishing and prodding and poking and sculpting, a handsome gray wolf and a stately brown owl emerge. The hands disappear, leaving the friends to their own devices. The owl is pleased, but the wolf convinces it that the best is yet to come. An ear pulled here and an extra eye placed there, and before you can shake a carving stick, a spurt of frenetic self-exploration—expressed as a tangled black scribble—reveals a succession of smug hybrid beasts. After all, the opportunity to become a “pig-e-phant” doesn’t come around every day. But the sound of approaching footsteps panics the pair of Picassos. How are they going to “fix [them]selves” on time? Soon a hippopotamus and peacock are staring bug-eyed at a returning pair of astonished hands. The creative naiveté of the “clay mates” is perfectly captured by Petty’s feisty, spot-on dialogue: “This was your idea…and it was a BAD one.” Eldridge’s endearing sculpted images are photographed against the stark white background of an artist’s work table to great effect.
The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted fun of their own . (Picture book. 5-8)Pub Date: June 20, 2017
ISBN: 978-0-316-30311-8
Page Count: 40
Publisher: Little, Brown
Review Posted Online: March 28, 2017
Kirkus Reviews Issue: April 15, 2017
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