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THE JOB

WORK AND ITS FUTURE IN A TIME OF RADICAL CHANGE

Readers of Barbara Ehrenreich on one hand and Paul Krugman on the other will find good grist for the mill in Shell’s book.

Shell (Journalism/Boston Univ.; Cheap: The High Cost of Discount Culture, 2010, etc.) digs into the workaday world to examine the changing nature of—well, the workaday world itself.

With terms like “gig economy” and “disruption” ever more prevalent, the author asserts that “it has become hard to pin down what it even means to be ‘employed.’ ” There is job growth, but it doesn’t seem to be having an effect in driving up wages or building the middle class; there are jobs, but there is no longer the social contract between employer and employee that allows for security or future-building. Meanwhile, much of what we think about the job world doesn’t closely align with reality. As Shell notes, for example, far from being a haven for goldbricks, what remains of the social welfare network is mostly used judiciously, such that “the average person collecting Social Security disability has worked for twenty-two years.” Furthermore, getting an education is no longer the guarantee for decent work that it once was, while the idea that Americans lack the necessary skills for the new economy isn’t quite right, either. “Lacking economic power and without union representation,” writes the author, “many workers have little political power with which to leverage their very real skills.” The result is a lot of jobs at minimum wage with no benefits, ever growing inequality, and less access to opportunity. However, Shell observes, for many people, the disrupted economy affords reasons to do some disrupting of their own—for instance, as she chronicles, to make bespoke brooms, become artisans, agitate for worker partnership and job sharing, go back to the land, or—perhaps more usefully for the greater good—help build "purpose-driven businesses” that take the profit motive seriously but that also emphasize the people with whom they work.

Readers of Barbara Ehrenreich on one hand and Paul Krugman on the other will find good grist for the mill in Shell’s book.

Pub Date: Oct. 23, 2018

ISBN: 978-0-451-49725-3

Page Count: 416

Publisher: Currency

Review Posted Online: Feb. 19, 2020

Kirkus Reviews Issue: Sept. 1, 2018

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A PEOPLE'S HISTORY OF THE UNITED STATES

For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.

Pub Date: Jan. 1, 1979

ISBN: 0061965588

Page Count: 772

Publisher: Harper & Row

Review Posted Online: May 26, 2012

Kirkus Reviews Issue: Jan. 1, 1979

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I KNOW WHY THE CAGED BIRD SINGS

However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.

Maya Angelou is a natural writer with an inordinate sense of life and she has written an exceptional autobiographical narrative which retrieves her first sixteen years from "the general darkness just beyond the great blinkers of childhood."

Her story is told in scenes, ineluctably moving scenes, from the time when she and her brother were sent by her fancy living parents to Stamps, Arkansas, and a grandmother who had the local Store. Displaced they were and "If growing up is painful for the Southern Black girl, being aware of her displacement is the rust on the razor that threatens the throat." But alternating with all the pain and terror (her rape at the age of eight when in St. Louis With her mother) and humiliation (a brief spell in the kitchen of a white woman who refused to remember her name) and fear (of a lynching—and the time they buried afflicted Uncle Willie under a blanket of vegetables) as well as all the unanswered and unanswerable questions, there are affirmative memories and moments: her charming brother Bailey; her own "unshakable God"; a revival meeting in a tent; her 8th grade graduation; and at the end, when she's sixteen, the birth of a baby. Times When as she says "It seemed that the peace of a day's ending was an assurance that the covenant God made with children, Negroes and the crippled was still in effect."

However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.

Pub Date: Feb. 1, 1969

ISBN: 0375507892

Page Count: 235

Publisher: Random House

Review Posted Online: May 14, 2012

Kirkus Reviews Issue: Feb. 1, 1969

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