by Ellen Yeomans ; illustrated by Chris Sheban ‧ RELEASE DATE: May 1, 2018
A marvelous portrayal of the humor and uncertainty surrounding growth—and the comfort in having a fellow traveler.
This Duck (a confident female) and That Duck (a trepidatious male) enjoy each other’s companionship in the “wadey-water” until discovering a wider world makes the extrovert wish for more friends.
This Duck yearns to lead a “more ducky” line when they move about, prompting her to wish for Other Ducks. Yeomans’ language is a delightful combination of the childlike and the existential. When questioned about the meaning of “Other Ducks,” she replies, “Like us, only not us.” Sheban’s soft, textured compositions are rendered in watercolor, colored pencil, and graphite; they start out sunny, with warm greens and yellows in the foreground and cool lavender shadows and shapes on the horizon. The lighting and mood change with the seasons and situations. As they explore, This Duck, who is observant but not always accurate, speaks to her mate in ways that will remind adults of an old married couple. Their misunderstandings and postures are humorous, as when they see their reflections and attempt to coax their new liquid companions into line. Nature’s pull leads the pair to follow their autumnal instincts—learning to fly and falling into formation with others of their kind. While that experience is exhilarating, it pales in comparison to the feeling next summer when four adorable ducklings bring up the rear.
A marvelous portrayal of the humor and uncertainty surrounding growth—and the comfort in having a fellow traveler. (Picture book. 4-6)Pub Date: May 1, 2018
ISBN: 978-1-62672-502-7
Page Count: 40
Publisher: Neal Porter/Roaring Brook
Review Posted Online: March 3, 2018
Kirkus Reviews Issue: March 15, 2018
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by Judith Henderson & Ellen Yeomans ; illustrated by Rashin Kheiriyeh
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by John Segal and illustrated by John Segal ‧ RELEASE DATE: March 1, 2011
Echoes of Runaway Bunny color this exchange between a bath-averse piglet and his patient mother. Using a strategy that would probably be a nonstarter in real life, the mother deflects her stubborn offspring’s string of bath-free occupational conceits with appeals to reason: “Pirates NEVER EVER take baths!” “Pirates don’t get seasick either. But you do.” “Yeesh. I’m an astronaut, okay?” “Well, it is hard to bathe in zero gravity. It’s hard to poop and pee in zero gravity too!” And so on, until Mom’s enticing promise of treasure in the deep sea persuades her little Treasure Hunter to take a dive. Chunky figures surrounded by lots of bright white space in Segal’s minimally detailed watercolors keep the visuals as simple as the plotline. The language isn’t quite as basic, though, and as it rendered entirely in dialogue—Mother Pig’s lines are italicized—adult readers will have to work hard at their vocal characterizations for it to make any sense. Moreover, younger audiences (any audiences, come to that) may wonder what the piggy’s watery closing “EUREKA!!!” is all about too. Not particularly persuasive, but this might coax a few young porkers to get their trotters into the tub. (Picture book. 4-6)
Pub Date: March 1, 2011
ISBN: 978-0-399-25425-3
Page Count: 32
Publisher: Philomel
Review Posted Online: Jan. 25, 2011
Kirkus Reviews Issue: Feb. 1, 2011
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by Margarita del Mazo ; illustrated by Silvia Álvarez ‧ RELEASE DATE: Nov. 10, 2015
Too many bugs, figuratively.
Lucy, “the youngest member of a family of fireflies,” must overcome an irrational, moon-induced anxiety in order to leave her family tree trunk and glow.
The first six pages pull readers into a lush, beautiful world of nighttime: “When the sun has set, silence falls over the Big Forest, and all of the nighttime animals wake up.” Mixed media provide an enchanting forest background, with stylized flora and fauna eventually illuminated by a large, benign moon, because the night “doesn’t like to catch them by surprise.” Turning the page catches readers by surprise, though: the family of fireflies is decidedly comical and silly-looking. Similarly, the text moves from a lulling, magical cadence to a distinct shift in mood as the bugs ready themselves for their foray into the night: “They wave their bottoms in the air, wiggle their feelers, take a deep, deep breath, and sing, ‘Here we go, it’s time to glow!’ ” It’s an acceptable change, but more unevenness follows. Lucy’s excitement about finally joining the other bugs turns to “sobbing” two nights in a row. Instead of directly linking her behavior to understandable reactions of children to newness, the text undermines itself by making Lucy’s parents’ sweet reassurances impotent and using the grandmother’s scientific explanation of moonlight as an unnecessary metaphor. Further detracting from the story, the text becomes ever denser and more complex over the book’s short span.
Too many bugs, figuratively. (Picture book. 4-6)Pub Date: Nov. 10, 2015
ISBN: 978-84-16147-00-7
Page Count: 32
Publisher: Cuento de Luz
Review Posted Online: July 21, 2015
Kirkus Reviews Issue: Aug. 15, 2015
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by Margarita del Mazo ; illustrated by Guridi ; translated by Cecilia Ross
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by Margarita del Mazo ; illustrated by Guridi ; translated by Cecilia Ross
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by Margarita del Mazo ; illustrated by Guridi ; translated by Cecilia Ross
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