A satisfying conclusion to a flawed but often fantastically entertaining trilogy.
In Kane’s (Prophecy, 2015, etc.) final installment of the Legacy trilogy, a teenage girl puts her life on the line to try to destroy a sinister company that produces powerful, mood-altering drugs.
It’s been 75 days since a secretive man named Quin McAllister left the San Francisco Bay Area and Lex Knightley’s life. Government authorities have instituted curfews and set up checkpoints to crack down on the consumption of “emotion-altering medications,” or EAMs. The newest, most dangerous EAM is Onyx, which causes aggressive behavior and has led to an explosion of gang violence on San Francisco’s foggy streets. Meanwhile, Lex has been hiding a fugitive Resistance leader-turned-drug czar named Augustus Porter, despite her hatred of him, as she hopes to obtain insider information that will help bring down EAM manufacturer Zenigenic and its ruthless, power-hungry CEO, Xander Steele. When Quin abruptly returns and teams up with Zenigenic as a spokesman for a new medication designed to make the world kinder, Lex knows there must be more to this strange alliance than meets the eye. Lex, with the help of some friends—including her intrepid reporter father and the somewhat untrustworthy Augustus—hopes to fulfill the wishes of her deceased mother, a Zenigenic psychiatrist who regretted her prominent role in the creation of EAMs. She plans to do so by solving the mystery and exposing the corporation’s dirty deeds once and for all. Kane throws readers right into the deep end without wasting any time recapping previous novels in the series. Fortunately, readers will likely find that her vividly detailed world and complex characters have lingered with them since Prophecy (2015). Lex has developed and matured a great deal since readers met her in Legacy (2014), though she still occasionally feels like a Mary Sue—a little too perfect to be real. The book is at its best when it focuses on the tragic psychological fallout from EAM usage, and at its worst when it focuses on Lex and Quin’s dull romance; they lack the spark to stand out from every other star-crossed dystopian duo. The book’s frenetic climax, set at the iconic Bay Bridge, will leave readers breathless and wanting more from Kane and her fictional world.
A satisfying conclusion to a flawed but often fantastically entertaining trilogy.Pub Date: Jan. 11, 2016
ISBN: 978-1-4575-4402-6
Page Count: 276
Publisher: Dog Ear
Review Posted Online: April 8, 2016
Review Program: Kirkus Indie
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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