THE FINAL ACT OF JULIETTE WILLOUGHBY

Captivated by a lost surrealist painting, a young woman begs, borrows, and steals to bring it—and its artist—to light.

In 1938, a young British expatriate, Juliette Willoughby, exhibited her only painting at the famous International Surrealist Exhibition in Paris for a single night, stirring much interest before mysteriously withdrawing it from the exhibit; when she and her artist lover perished in a fire shortly thereafter, the painting and its secrets were presumed lost. In 1991, Caroline Cooper, a young art history student at Cambridge, decides to write her master’s thesis on sphinxes in surrealist art; at the urging of her mentor, she agrees to include Juliette Willoughby’s “Self-Portrait as Sphinx”—if she can find enough material to explore, considering that the painting was presumably lost in the fire that also killed its artist. In the present day, Caroline, now a world-famous expert on Juliette Willoughby’s painting, is on stage in Dubai to authenticate that same lost painting, recently auctioned for 42 million pounds. Lloyd’s novel interweaves the stories of these three distinct time periods to create an elegant tapestry—and a novel of love, suspense, family secrets, Egyptology, surrealism, and corruption. Above all, it is a novel of women. At the heart of Juliette’s story, and of Caroline’s story, lie some pointed questions: Why is it only the men who are remembered as great artists, as great academics? What would it look like to center a woman’s story within the typically masculine worlds of art and auction? Some may be put off by the constant switching among timelines and narrators, and the somewhat sensational sideline of the Dubai section, but for those readers with the patience to peel back the layers, the novel will not disappoint. A must for fans of Kate Morton.

A delightful puzzle box of a novel.