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MY SQUIRREL DAYS

A little Lucille Ball, a little bit Tracy Flick, Kemper proves that good comedy starts with good writing. It's no...

The debut book from the Emmy-nominated actress.

It’s clear within the first chapter of actress Kemper’s memoir that the Unbreakable Kimmy Schmidt star is still playing a character. Her role in the text is that of clever, albeit controlling, comedy writer disguised as the girl next door. Strategically revealing only what she wants the reader to see, the Princeton graduate’s English degree—and her experience as a writer for the Onion—is on full display. The author begins by portraying herself as a precocious child, with a rambling chapter about her obsession with her second-grade student teacher, a Russian woman named Ms. Romanoff. “I hung on every word that came out of her mouth; her voice sounded how my Eggo syrup tasted,” she writes. From there, Kemper picks and chooses choice anecdotes to describe her life, from feckless Ivy League field hockey player to improv workaholic to unsuccessful Saturday Night Live auditioner to cast member on the American version of The Office. What she doesn’t include is the typical celebrity tell-all. For the author, the hero’s struggle is more Anne Shirley than Lisbeth Salander. Imagining what she will tell her children about her obsession with SoulCycle, she writes, “son, there was a time in my life…when I agreed to pay money to take a bicycle-riding class in a studio lit by candles and filled with songs of Coldplay, Pitbull, and E.S. Posthumus.” Everything here is played for laughs, and some setups work better than others. When Kemper sticks the landing, the results are uproarious, as in her encounter with Office creator and star Ricky Gervais, who somehow misunderstood Kemper as saying she played him on the American version of the show.

A little Lucille Ball, a little bit Tracy Flick, Kemper proves that good comedy starts with good writing. It's no Bossypants, but it’s an entertaining celebrity memoir.

Pub Date: Oct. 9, 2018

ISBN: 978-1-5011-6334-0

Page Count: 256

Publisher: Scribner

Review Posted Online: July 30, 2018

Kirkus Reviews Issue: Aug. 15, 2018

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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INTO THE WILD

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...

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The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990). 

Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor will it to readers of Krakauer's narrative. (4 maps) (First printing of 35,000; author tour)

Pub Date: Jan. 1, 1996

ISBN: 0-679-42850-X

Page Count: 320

Publisher: Villard

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 1995

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