Readers will be making their own lists, perhaps before the last page is turned.
A child explores the purpose of school and the many places where that purpose can be fulfilled.
The young narrator enters the school building and talks about what can be found inside—a teacher, desks, students—and the activities that take place there: laughing, writing, creating, solving, stumbling, wondering. Where else is school? The child finds it on class trips to the zoo, aquarium, museum, and pumpkin farm. School is the bathtub where the protagonist experiments with things that float and sink. In a nod to the pandemic, “Sometimes school is on my screen.” It’s in Nana’s kitchen, at Papa’s workbench, on the shelf at the library, outside in nature. It’s found in life lessons learned and time spent with loved ones. “School is wherever I am.” Without spelling it out and spiraling into didacticism, the author nails the essence of a good education, the attitude of a lifelong learner, and the many places and opportunities in the world where learning can take place. The brightly colored artwork portrays the child’s many emotions—confusion when faced with a math problem, the thrill of creation in art class, fierce concentration when making potstickers. The child has tan skin and dark brown hair; the other students are diverse. (This book was reviewed digitally.)
Readers will be making their own lists, perhaps before the last page is turned. (Picture book. 4-8)Pub Date: May 3, 2022
ISBN: 978-1-250-84524-5
Page Count: 40
Publisher: Roaring Brook Press
Review Posted Online: March 29, 2022
Kirkus Reviews Issue: April 15, 2022
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
BOOK REVIEW
BOOK REVIEW
Too cute to be spooky indeed but most certainly sweet.
A ghost longs to be scary, but none of the creepy personas she tries on fit.
Misty, a feline ghost with big green eyes and long whiskers, wants to be the frightening presence that her haunted house calls for, but sadly, she’s “too cute to be spooky.” She dons toilet paper to resemble a mummy, attempts to fly on a broom like a witch, and howls at the moon like a werewolf. Nothing works. She heads to a Halloween party dressed reluctantly as herself. When she arrives, her friends’ joyful screams reassure her that she’s great just as she is. Sadler’s message, though a familiar one, is delivered effectively in a charming, ghostly package. Misty truly is too precious to be frightening. Laberis depicts an endearingly spooky, all-animal cast—a frog witch, for instance, and a crocodilian mummy. Misty’s sidekick, a cheery little bat who lends support throughout, might be even more adorable than she is. Though Misty’s haunted house is filled with cobwebs and surrounded by jagged, leafless trees, the charming characters keep things from ever getting too frightening. The images will encourage lingering looks. Clearly, there’s plenty that makes Misty special just as she is—a takeaway that adults sharing the book with their little ones should be sure to drive home.
Too cute to be spooky indeed but most certainly sweet. (Picture book. 4-6)Pub Date: Aug. 13, 2024
ISBN: 9780593702901
Page Count: 32
Publisher: Random House
Review Posted Online: May 17, 2024
Kirkus Reviews Issue: June 15, 2024
BOOK REVIEW
BOOK REVIEW
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