A novel of ideas in an age of opinions.
A novel of alternate history, life everlasting, and American democracy in peril.
In this version of the recent past, President Al Gore has assumed office after a perjury conviction drove Bill Clinton from the White House, and he has his hands full in a sharply divided and polarized country. First-person narrator Martin Neumann is a historian and college professor, on leave to write his next book, “a study of postbellum attitudes on the Civil War...and what the historian Shelby Foote termed ‘the great compromise,’ a cultural reconciliation between North and South that followed those blood-soaked years.” Foote's interpretation has “fallen from favor,” Neumann’s department chair tells him. Ackerman wants to explore whether nuance and compromise are possible where others see black and white, right and wrong. His narrator has “become obsessed with the role of compromise in the sustainment of American life,” a notion that has fallen from favor as polarized opinions became louder and more rigid. Recently divorced, he's also obsessed with his own alternative histories of what might have been. He's spending his sabbatical on an estate with the ominous name that gives the novel its title, where his landlord is the legendary Robert Ableson, a legal lion and champion of liberal causes, now retired and in his 90s. And very spry, for reasons the novel will reveal but signals in its very first sentence, informing the reader that “resurrection, a new life, had become a scientific possibility.” In 2004, when the novel opens, there are all sorts of further complications to the context—Gore plans to pardon Clinton, statues of the Confederacy are sacrificed to historical revisionism, conservatives want to shut down scientific progress. The historian and his landlord both find that their perspectives and attitudes, once perfectly acceptable, now put them on the wrong side of history. The narrator seems to carry the weight of the world on his shoulders, or at least the future of democracy as we know it.
A novel of ideas in an age of opinions.Pub Date: May 23, 2023
ISBN: 9780593321621
Page Count: 256
Publisher: Knopf
Review Posted Online: March 10, 2023
Kirkus Reviews Issue: April 1, 2023
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
Mostly charming, sometimes twee, with some really lovely things to say about poetry.
And now for some lessons in poetry and typesetting.
After Lessons in Chemistry (2022), a debut that became one of the most popular books of recent years, Garmus applies her unique comic sensibility to the story of Batter Gray, a man named after a family dog of mythic talents. A poetry maven who was reading Auden as a fourth grader, he was raised by a type-designer mother and historian father who dearly hoped he would choose some more viable profession than poetry. But via an amazing stroke of luck, he lands a job after college at Peck & Peck, an illustrious literary journal located in a beautiful building in New York City. He’s at the very bottom of the complex and dysfunctional totem pole, making copies in the basement, struggling not to run afoul of the cantankerous editor-in-chief, Salton Peck, or his smarmy assistant, Dexter York, both of whom have taken an instant dislike to our hero (and can never get his name right. Few people can). And to be honest, Batter is not without his flaws. The novel bogs down a bit in the middle, with Salton constantly excoriating his staff in ALL CAPS and much ado over the possibility that submissions have been taken outside the building, which is forbidden. Along the way, many, many famous poets are name-checked, as are many typefaces, since Batter has been raised to instantly identify a font in the wild. The best example of this occurs during his brief sojourn in jail: “The thing I kind of admired about Motherfucker II, besides his manners, was this huge tattoo he had on his neck that read I will fuck you up in ITC Bolt. Call me my mother’s son, but whoever inked it nailed the kerning.” The narrative picks up steam toward the end, as bad guys become good guys, mysteries are solved, and Batter throws one hell of a party.
Mostly charming, sometimes twee, with some really lovely things to say about poetry.Pub Date: Oct. 13, 2026
ISBN: 9781668251065
Page Count: 432
Publisher: Scribner
Review Posted Online: July 6, 2026
Kirkus Reviews Issue: Aug. 1, 2026
BOOK REVIEW
PERSPECTIVES
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