A novel of ideas in an age of opinions.
A novel of alternate history, life everlasting, and American democracy in peril.
In this version of the recent past, President Al Gore has assumed office after a perjury conviction drove Bill Clinton from the White House, and he has his hands full in a sharply divided and polarized country. First-person narrator Martin Neumann is a historian and college professor, on leave to write his next book, “a study of postbellum attitudes on the Civil War...and what the historian Shelby Foote termed ‘the great compromise,’ a cultural reconciliation between North and South that followed those blood-soaked years.” Foote's interpretation has “fallen from favor,” Neumann’s department chair tells him. Ackerman wants to explore whether nuance and compromise are possible where others see black and white, right and wrong. His narrator has “become obsessed with the role of compromise in the sustainment of American life,” a notion that has fallen from favor as polarized opinions became louder and more rigid. Recently divorced, he's also obsessed with his own alternative histories of what might have been. He's spending his sabbatical on an estate with the ominous name that gives the novel its title, where his landlord is the legendary Robert Ableson, a legal lion and champion of liberal causes, now retired and in his 90s. And very spry, for reasons the novel will reveal but signals in its very first sentence, informing the reader that “resurrection, a new life, had become a scientific possibility.” In 2004, when the novel opens, there are all sorts of further complications to the context—Gore plans to pardon Clinton, statues of the Confederacy are sacrificed to historical revisionism, conservatives want to shut down scientific progress. The historian and his landlord both find that their perspectives and attitudes, once perfectly acceptable, now put them on the wrong side of history. The narrator seems to carry the weight of the world on his shoulders, or at least the future of democracy as we know it.
A novel of ideas in an age of opinions.Pub Date: May 23, 2023
ISBN: 9780593321621
Page Count: 256
Publisher: Knopf
Review Posted Online: March 10, 2023
Kirkus Reviews Issue: April 1, 2023
A pleasant if not entirely convincing tribute to the power of art.
A French art historian’s English-language fiction debut combines the story of a loving relationship between a grandfather and granddaughter with an enlightening discussion of art.
One day, when 10-year-old Mona removes the necklace given to her by her now-dead grandmother, she experiences a frightening, hour-long bout of blindness. Her parents take her to the doctor, who gives her a variety of tests and also advises that she see a psychiatrist. Her grandfather Henry tells her parents that he will take care of that assignment, but instead, he takes Mona on weekly visits to either the Louvre, the Musée d’Orsay, or the Centre Pompidou, where each week they study a single work of art, gazing at it deeply and then discussing its impact and history and the biography of its maker. For the reader’s benefit, Schlesser also describes each of the works in scrupulous detail. As the year goes on, Mona faces the usual challenges of elementary school life and the experiences of being an only child, and slowly begins to understand the causes of her temporary blindness. Primarily an amble through a few dozen of Schlesser’s favorite works of art—some well known and others less so, from Botticelli and da Vinci through Basquiat and Bourgeois—the novel would probably benefit from being read at a leisurely pace. While the dialogue between Henry and the preternaturally patient and precocious Mona sometimes strains credulity, readers who don’t have easy access to the museums of Paris may enjoy this vicarious trip in the company of a guide who focuses equally on that which can be seen and the context that can’t be. Come for the novel, stay for the introductory art history course.
A pleasant if not entirely convincing tribute to the power of art.Pub Date: Aug. 26, 2025
ISBN: 9798889661115
Page Count: 432
Publisher: Europa Editions
Review Posted Online: June 7, 2025
Kirkus Reviews Issue: July 15, 2025
SEEN & HEARD
SEEN & HEARD
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
SEEN & HEARD
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