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A GUIDE TO STREAMING GREAT FILMS

A cheerful, functional reference work that will appeal to film and television fans.

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Kanbar (The Tragedy of Moses, 2016, etc.), a film-industry consultant, offers a short guide to the ever expanding world of online streaming.

Streaming platforms have transformed the way that people watch movies, causing theater attendance to dip, ticket prices to rise, and Hollywood to generally panic, according to the author. The upside? It’s never been easier to watch movies from the comfort of one’s own home. For cinephiles who want to take advantage of the new abundance but don’t know where to start, Kanbar offers this slim book on all things streaming. He begins with a comprehensive breakdown of the necessary hardware—televisions, sound bars, media streamers, routers, and modems—complete with rundowns of options in each category and recommendations of the best products. The author also introduces the various streaming—aka video on demand—formats. These include transactional (specifically, rental) VOD, such as iTunes, Fandango Now, or Redbox On Demand; subscription services such as Netflix, Hulu Plus, and HBO Now; and advertising-supported VOD, such as Crackle, Roku Channel, and, in part, Vudu. Kanbar makes special mention of services catering to specific genre tastes, providing lists of those that stream public-domain films, documentaries, classics, horror, noir, and Bollywood movies. There are helpful hints, including tech troubleshooting tips (“An Ethernet connector will often produce better results than a wireless connector”) and a glossary of streaming-specific terms: “HFR (high frame rate). Refers to a frame rate higher than the usual 24-frames-per-second rate, resulting in a smoother playback.” It’s all accompanied by numerous interstitial photographs from classic Hollywood movies. Kanbar’s guide is compact and practical, fitting a large amount of information into just over 100 pages. The prose often takes the form of lists or boilerplate descriptions, but it occasionally gets across the warmth of the author’s personality, as when he describes public-domain films: “Most were released prior to 1960 and some may even go back to the days before sound. But they are free, so what the heck!” There’s also a list of Kanbar’s personal streaming-series recommendations, including Netflix’s Ozark and HBO’s The Night Of. The book appears to be aimed at older readers, who may be just taking their first steps into the world of streaming, but there’s relevant information here for viewers at every experience level. In addition to explaining the basics of how streaming works, the author goes far beyond the obvious options of Netflix and Amazon Prime, alerting readers to boutique services, such as BritBox (which focuses on TV shows of the United Kingdom) or Uncle Earl’s Classic Television (for public-domain films). The book is specific to 2019, and some of the details regarding subscription rates and streaming technology will no doubt continue to change as time goes by; hopefully, the author will provide updated editions in the future. With so much available out there to watch, any bit of direction is welcome, and Kanbar is thankfully willing to be an enthusiastic tour guide.

A cheerful, functional reference work that will appeal to film and television fans.

Pub Date: Dec. 29, 2018

ISBN: 978-0-578-41933-6

Page Count: 108

Publisher: ELBAR Associates, LLC

Review Posted Online: April 21, 2019

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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