edited by Ellis Cose ‧ RELEASE DATE: March 12, 1997
Another volume inspired by The Case That Would Not End, which only fitfully addresses its subject: the dilemma that African-Americans face when they must use the authority and responsibility they have obtained in a white-dominated system against members of their own race. A few of the pieces are interesting, though nothing here is likely to change anyone's mind. Cose, a Newsweek contributing editor who has written perceptively on race and other social issues (Color-Blind, 1997, etc.), artfully compares Simpson prosecutor Christopher Darden and defense counsel Johnny Cochran respectively to Joe Frazier, the black heavyweight champ who was acceptable to whites, and Muhammad Ali, who became a black idol by symbolically outfighting and outwitting white America (before time and success made Ali a white idol, too). Stanley Crouch portrays Darden as a whiner who did a lousy job on what should not have been a difficult case. Former prosecutor Paul Butler reprises his controversial view that black jurors should sometimes ignore the letter of the law, since the system is fatally biased against black defendants. Clarence Page notes that Darden became a ``double outsider, cast out by outcasts,'' when he tried to convict Simpson. Anita Hill thoughtfully and persuasively analyzes the particular dilemmas faced by black women when black men are subjected to the criminal justice system; she focuses on the example of Felicia Moon, who recanted an accusation that her football-star husband, Warren, had assaulted her. The best is saved for last, with Roger Wilkins's eloquent reminder of the historic importance—and possibility—of successful blacks' efforts ``to tell the truth for people who cannot speak for themselves because of the damage that continues to be done to them.'' Unfortunately, most of these essays pay little attention to the book's theme, and several read like annual reports on the state of race relations in America.
Pub Date: March 12, 1997
ISBN: 0-06-095227-X
Page Count: 288
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 1997
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by Ellis Cose
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by Ellis Cose
by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson
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by E.T.A. Hoffmann & illustrated by Julie Paschkis
by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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developed by Ludwig Bemelmans ; illustrated by Steven Salerno
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by Ludwig Bemelmans ; illustrated by Steven Salerno
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