Sweetly offers essential, timely lessons about aligning with those different from oneself.
Mip and Pip, two woodland fairies of drastically different dispositions, hold a contest to see which of them can build “the best tree house by sundown.”
The sprites’ physical and temperamental differences propel this familiar grasshopper-ant–style story. Mip sings loudly, has a flamboyant, flouncy mushroom cap on her pate, and spirits quickly about the forest looking for action. Pip reads architecture books quietly by himself, has an elongated green bud extending elegantly from his head, and deliberately plans. Yet they’re unquestionably best friends. Thought clouds show just how differently the friends think: Mip dreams up a colorful treehouse towering with turrets and flapping flags, while Pip pictures cornices and cupolas sketched out meticulously under typeset headers. When Mip’s overreaching, slapdash treehouse predictably teeters and falls, a timeless moral shines through the wreckage: Thoughtful planning and diligence pay off. Lesser stories stop here, but these fairies persevere together, connecting the remains of Mip’s house with Pip’s to make an astounding treehouse that combines both their visions. Young readers glean that antithetical personalities can work beautifully together and that contrapuntal viewpoints can produce an amazing synthesis. MacKay’s backlit dioramas, suffused with watery colors, glow gauzily. Moss greens and dawn pinks conjure the light-skinned fairies’ forest, a place that feels both familiar and faraway.
Sweetly offers essential, timely lessons about aligning with those different from oneself. (Picture book. 4-8)Pub Date: April 23, 2019
ISBN: 978-0-7624-6299-5
Page Count: 32
Publisher: Running Press Kids
Review Posted Online: Jan. 27, 2019
Kirkus Reviews Issue: Feb. 15, 2019
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
BOOK REVIEW
BOOK REVIEW
Wins for compassion and for the refusal to let physical limitations hold one back.
With such short arms, how can Tiny T. Rex give a sad friend a hug?
Fleck goes for cute in the simple, minimally detailed illustrations, drawing the diminutive theropod with a chubby turquoise body and little nubs for limbs under a massive, squared-off head. Impelled by the sight of stegosaurian buddy Pointy looking glum, little Tiny sets out to attempt the seemingly impossible, a comforting hug. Having made the rounds seeking advice—the dino’s pea-green dad recommends math; purple, New Age aunt offers cucumber juice (“That is disgusting”); red mom tells him that it’s OK not to be able to hug (“You are tiny, but your heart is big!”), and blue and yellow older sibs suggest practice—Tiny takes up the last as the most immediately useful notion. Unfortunately, the “tree” the little reptile tries to hug turns out to be a pterodactyl’s leg. “Now I am falling,” Tiny notes in the consistently self-referential narrative. “I should not have let go.” Fortunately, Tiny lands on Pointy’s head, and the proclamation that though Rexes’ hugs may be tiny, “I will do my very best because you are my very best friend” proves just the mood-lightening ticket. “Thank you, Tiny. That was the biggest hug ever.” Young audiences always find the “clueless grown-ups” trope a knee-slapper, the overall tone never turns preachy, and Tiny’s instinctive kindness definitely puts him at (gentle) odds with the dinky dino star of Bob Shea’s Dinosaur Vs. series.
Wins for compassion and for the refusal to let physical limitations hold one back. (Picture book. 5-7)Pub Date: March 5, 2019
ISBN: 978-1-4521-7033-6
Page Count: 48
Publisher: Chronicle Books
Review Posted Online: Nov. 11, 2018
Kirkus Reviews Issue: Dec. 1, 2018
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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