A poignant, dignified tribute to Ury who, as a Jew during World War II, was murdered by her countrymen for whom she had...
A uniquely sentimental look at World War I through the eyes of a preteen German girl.
Though still immensely popular in Germany, Ury’s ten Nesthäkchen books are virtually unknown in the United States, an omission Lehrer looks to correct with this fine translation, complete with notes and a brief but highly informative introduction. The book is an engaging tale of two years in the life of Annemarie Braun, a Berlin doctor’s daughter most often referred to by the narrator as "Nesthäkchen,” a wonderfully appropriate sobriquet reserved for spoiled children. Separated from her parents by the war, Annemarie nonetheless lives a comfortable life with her grandmother, siblings, girlfriends and even a cook. The narrative traces her often wildly extravagant, juvenile reactions to the vicissitudes of war. Mercurial by nature, youthfully innocent and self-absorbed due to her social standing, Annemarie filters her experiences of war through her personality in ways that can rarely be deeply felt by the reader, who watches as she flits from one emotion to another, despondent on one page, exultant on the next. Her most sustained behavior proves to be the cruelty she evinces toward a new girl at her school, a long campaign of ill-treatment for which she must eventually seek redemption. Her story is ultimately one of growth through sacrifice, and, not surprisingly, Annemarie matures into a generous, likable young woman by the novel’s end and receives abundant karmic reward for her goodness. Lehrer’s infrequent annotations are precise and cogent, though concerned primarily with military matters sometimes to the exclusion of cultural subjects. With its stilted diction and narrative air of bemused didacticism resembling perhaps nothing more in the American canon than the Horatio Alger books, Nesthäkchen and the World War is no longer likely to appeal to the juvenile audience for which it was originally penned, but Nesthäkchen could, and probably deserves to, find her place in the classroom alongside Ragged Dick as an important glimpse into the spirit of a long-gone age.
A poignant, dignified tribute to Ury who, as a Jew during World War II, was murdered by her countrymen for whom she had written with so much loyalty and love.Pub Date: May 22, 2006
ISBN: 978-0-595-39729-7
Page Count: -
Publisher: N/A
Review Posted Online: May 23, 2010
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A sparse, beautifully drawn story about a teen discovering her heritage.
In this YA graphic novel, an alienated Métis girl learns about her people’s Canadian history.
Métis teenager Echo Desjardins finds herself living in a home away from her mother, attending a new school, and feeling completely lonely as a result. She daydreams in class and wanders the halls listening to a playlist of her mother’s old CDs. At home, she shuts herself up in her room. But when her history teacher begins to lecture about the Pemmican Wars of early 1800s Saskatchewan, Echo finds herself swept back to that time. She sees the Métis people following the bison with their mobile hunting camp, turning the animals’ meat into pemmican, which they sell to the Northwest Company in order to buy supplies for the winter. Echo meets a young girl named Marie, who introduces Echo to the rhythms of Métis life. She finally understands what her Métis heritage actually means. But the joys are short-lived, as conflicts between the Métis and their rivals in the Hudson Bay Company come to a bloody head. The tragic history of her people will help explain the difficulties of the Métis in Echo’s own time, including those of her mother and the teen herself. Accompanied by dazzling art by Henderson (A Blanket of Butterflies, 2017, etc.) and colorist Yaciuk (Fire Starters, 2016, etc.), this tale is a brilliant bit of time travel. Readers are swept back to 19th-century Saskatchewan as fully as Echo herself. Vermette’s (The Break, 2017, etc.) dialogue is sparse, offering a mostly visual, deeply contemplative juxtaposition of the present and the past. Echo’s eventual encounter with her mother (whose fate has been kept from readers up to that point) offers a powerful moment of connection that is both unexpected and affecting. “Are you…proud to be Métis?” Echo asks her, forcing her mother to admit, sheepishly: “I don’t really know much about it.” With this series opener, the author provides a bit more insight into what that means.
A sparse, beautifully drawn story about a teen discovering her heritage.Pub Date: March 15, 2018
ISBN: 978-1-55379-678-7
Page Count: 48
Publisher: HighWater Press
Review Posted Online: Feb. 28, 2018
Kirkus Reviews Issue: May 1, 2018
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
Aspiring filmmaker/first-novelist Chbosky adds an upbeat ending to a tale of teenaged angst—the right combination of realism and uplift to allow it on high school reading lists, though some might object to the sexuality, drinking, and dope-smoking. More sophisticated readers might object to the rip-off of Salinger, though Chbosky pays homage by having his protagonist read Catcher in the Rye. Like Holden, Charlie oozes sincerity, rails against celebrity phoniness, and feels an extraliterary bond with his favorite writers (Harper Lee, Fitzgerald, Kerouac, Ayn Rand, etc.). But Charlie’s no rich kid: the third child in a middle-class family, he attends public school in western Pennsylvania, has an older brother who plays football at Penn State, and an older sister who worries about boys a lot. An epistolary novel addressed to an anonymous “friend,” Charlie’s letters cover his first year in high school, a time haunted by the recent suicide of his best friend. Always quick to shed tears, Charlie also feels guilty about the death of his Aunt Helen, a troubled woman who lived with Charlie’s family at the time of her fatal car wreck. Though he begins as a friendless observer, Charlie is soon pals with seniors Patrick and Sam (for Samantha), stepsiblings who include Charlie in their circle, where he smokes pot for the first time, drops acid, and falls madly in love with the inaccessible Sam. His first relationship ends miserably because Charlie remains compulsively honest, though he proves a loyal friend (to Patrick when he’s gay-bashed) and brother (when his sister needs an abortion). Depressed when all his friends prepare for college, Charlie has a catatonic breakdown, which resolves itself neatly and reveals a long-repressed truth about Aunt Helen. A plain-written narrative suggesting that passivity, and thinking too much, lead to confusion and anxiety. Perhaps the folks at (co-publisher) MTV see the synergy here with Daria or any number of videos by the sensitive singer-songwriters they feature.
Pub Date: Feb. 4, 1999
ISBN: 0-671-02734-4
Page Count: 256
Publisher: MTV Books/Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 1999
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
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