A hard, cleareyed look at coming of age in a prejudiced world.
Bex struggles to find acceptance for her nontraditional gender expression and her sexual orientation within her family and within the doomsday survivalist community she longs to join.
Since she’s been at odds with her family over her survivalist interests in addition to her masculine appearance, her father’s and brother’s decisions to join a new survivalist organization surprise Bex. Joining them on visits to the organization’s developing compound, Bex finds that her desire for fellowship overrides her concerns about some members’ misogyny, homophobia, and racism (which suggests that the majority of the novel’s cast is white). Even as her brother’s behavior becomes increasingly erratic and aggressive, Bex is unwilling to consider the community’s potential dark side. She’s also distracted when Lucy arrives for the summer and presents Bex with her first opportunity for a lesbian relationship (though it remains a secret from other characters). Readers of all sexual orientations will relate to Bex’s intoxicated blend of nerves and anticipation regarding Lucy. Many will also understand her instinctive motivation to maintain relationship harmony by minimizing her survivalist activities—though ultimately this becomes impossible. And then, quite suddenly, Bex can’t avoid facing the dark truths of her family and chosen community. Kokie takes her time developing characters and setting the plot in motion, creating a believable lesbian protagonist who wants to belong to a world that doesn’t particularly want her.
A hard, cleareyed look at coming of age in a prejudiced world. (Fiction. 14-18)Pub Date: Sept. 13, 2016
ISBN: 978-0-7636-6962-1
Page Count: 448
Publisher: Candlewick
Review Posted Online: May 31, 2016
Kirkus Reviews Issue: June 15, 2016
BOOK REVIEW
A heavy read about the harsh realities of tragedy and their effects on those left behind.
In this companion novel to 2013’s If He Had Been With Me, three characters tell their sides of the story.
Finn’s narrative starts three days before his death. He explores the progress of his unrequited love for best friend Autumn up until the day he finally expresses his feelings. Finn’s story ends with his tragic death, which leaves his close friends devastated, unmoored, and uncertain how to go on. Jack’s section follows, offering a heartbreaking look at what it’s like to live with grief. Jack works to overcome the anger he feels toward Sylvie, the girlfriend Finn was breaking up with when he died, and Autumn, the girl he was preparing to build his life around (but whom Jack believed wasn’t good enough for Finn). But when Jack sees how Autumn’s grief matches his own, it changes their understanding of one another. Autumn’s chapters trace her life without Finn as readers follow her struggles with mental health and balancing love and loss. Those who have read the earlier book will better connect with and feel for these characters, particularly since they’ll have a more well-rounded impression of Finn. The pain and anger is well written, and the novel highlights the most troublesome aspects of young adulthood: overconfidence sprinkled with heavy insecurities, fear-fueled decisions, bad communication, and brash judgments. Characters are cued white.
A heavy read about the harsh realities of tragedy and their effects on those left behind. (author’s note, content warning) (Fiction. 14-18)Pub Date: Feb. 6, 2024
ISBN: 9781728276229
Page Count: 416
Publisher: Sourcebooks Fire
Review Posted Online: Jan. 5, 2024
Kirkus Reviews Issue: Feb. 1, 2024
BOOK REVIEW
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
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