The author of A Dirty Distant War (1987), etc., teams up with a career soldier/spy on a thriller about a top-secret OSS effort to round up Hitler and his cronies before they can commit suicide or otherwise escape the crashing Third Reich. Inter- and intra-service rivalries provide the bulk of the infrequent tense spots in the last days of the war in Europe. Captain Dan Brooks has been ordered by the Office of Strategic Services to drop into the Austrian Alps, where it's believed the top Nazis are preparing a superbunker to defend themselves forever from the advancing Allies. Brooks's project is plagued from the get-go by the intelligence-collecting side of OSS, where an ambitious Navy officer and his team of German-American spies think themselves better suited to go after the FÅhrer, while Brooks shrugs them off and flies to France to recruit nearly 200 hundred disillusioned Wehrmacht POWs, all but one of whom want dearly to knock off the men who have ruined their beloved Vaterland. Trained and equipped to pose as German mountain troops, the agents parachute into the Austrian Alps, then settle into barns and attics belonging to the local Nazi-haters. Brooks sends out a couple of his American lieutenants in Gestapo clothes to gather intelligence, and the fake cops quickly find that, while there aren't yet any really big Nazis in town, there are some really pesky Americans, the agents Brooks tangled with in back in London, as well as Russians who have their own plans for the German leaders. Dan gets things straightened out in time for the arrival of a mysteriously and heavily bandaged fugitive and his SS bodyguards. Is the man in the mummy suit Der FÅhrer? Everything is sorted out, and justice more or less served, months later in Switzerland, where Allen Dulles makes a cameo appearance. Ponderous ``what-if?'' epic.
Pub Date: May 1, 1993
ISBN: 1-55972-168-5
Page Count: 320
Publisher: Birch Lane Press
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 1993
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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