The author of A Dirty Distant War (1987), etc., teams up with a career soldier/spy on a thriller about a top-secret OSS effort to round up Hitler and his cronies before they can commit suicide or otherwise escape the crashing Third Reich. Inter- and intra-service rivalries provide the bulk of the infrequent tense spots in the last days of the war in Europe. Captain Dan Brooks has been ordered by the Office of Strategic Services to drop into the Austrian Alps, where it's believed the top Nazis are preparing a superbunker to defend themselves forever from the advancing Allies. Brooks's project is plagued from the get-go by the intelligence-collecting side of OSS, where an ambitious Navy officer and his team of German-American spies think themselves better suited to go after the FÅhrer, while Brooks shrugs them off and flies to France to recruit nearly 200 hundred disillusioned Wehrmacht POWs, all but one of whom want dearly to knock off the men who have ruined their beloved Vaterland. Trained and equipped to pose as German mountain troops, the agents parachute into the Austrian Alps, then settle into barns and attics belonging to the local Nazi-haters. Brooks sends out a couple of his American lieutenants in Gestapo clothes to gather intelligence, and the fake cops quickly find that, while there aren't yet any really big Nazis in town, there are some really pesky Americans, the agents Brooks tangled with in back in London, as well as Russians who have their own plans for the German leaders. Dan gets things straightened out in time for the arrival of a mysteriously and heavily bandaged fugitive and his SS bodyguards. Is the man in the mummy suit Der FÅhrer? Everything is sorted out, and justice more or less served, months later in Switzerland, where Allen Dulles makes a cameo appearance. Ponderous ``what-if?'' epic.
Pub Date: May 1, 1993
ISBN: 1-55972-168-5
Page Count: 320
Publisher: Birch Lane Press
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 1993
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
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