An unexpected ending and a cadre of heroic female characters make Jean a crime writer to watch.
A detective suspects subterfuge when a kidnapped teen returns home after two years and refuses to talk about her abductor.
Missing girls are a common trope in crime fiction, but Jean freshens the genre with an intriguing story about secrets and dysfunctional families. Ellie Black, emaciated and traumatized, is found in a Washington state forest two years after she was taken from a parking lot near her hometown. Who took her and how she escaped confound police detective Chelsey Calhoun because Ellie is evading her questions. The case is an emotional investment for the haunted Chelsey, whose teenage sister Lydia went missing 15 years before. Jean’s novel is told from multiple perspectives, which gives her story emotional heft. The time readers spend with Ellie during her captivity is told with such devastating detail that it borders on a horror story. The toll her disappearance takes on her parents and high school boyfriend is acutely painted with heartbreak and the anguish that comes with not knowing whether Ellie is alive. Chelsey, who is of Japanese heritage, carries a double load of challenges as she fends off sexism and racism on the job and in her community. She’s an intriguing character; more details about her early life and adoption into a white family would have enriched her backstory. Like Jessica Knoll, whose crime novels also revolve around missing girls, Jean focuses less on sensationalizing predators and more on the tragedy of a “frenzy of missing girls. They do not give answers. They do not speak of what has come to pass. They whisper: Find us. Please.” Jean, who has written young adult fiction and the novel Mika in Real Life (2022), has written an impressive crime novel here.
An unexpected ending and a cadre of heroic female characters make Jean a crime writer to watch.Pub Date: May 7, 2024
ISBN: 9781668023938
Page Count: 320
Publisher: Simon & Schuster
Review Posted Online: Feb. 17, 2024
Kirkus Reviews Issue: March 15, 2024
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.
Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.
Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.Pub Date: April 24, 2018
ISBN: 978-1-5011-5464-5
Page Count: 368
Publisher: Atria
Review Posted Online: Feb. 5, 2018
Kirkus Reviews Issue: Feb. 15, 2018
Fast-moving excitement with a satisfying finish.
The feds must protect an accused criminal and an orphaned girl.
Maybe you’ve met him before as protagonist of The 6:20 Man (2022): Ex-Army Ranger Travis Devine, who’d had the dubious fortune to tangle with “the girl on the train,” is now assigned by his homeland security boss to protect Danny Glass, who's awaiting trial on multiple RICO charges in Washington state. Devine has what it takes: He “was a closer, snooper, fixer, investigator,” and, when necessary, a killer. These skills are on full display as the deaths of three key witnesses grind justice to a temporary halt. Glass has a 12-year-old niece, Betsy Odom, and each is the other’s only living relative—her parents recently died of an apparent drug overdose. The FBI has temporary guardianship of Betsy, who's a handful. She tells Travis that though she’s not yet 13, she's 28 in “life-shit years.” The financially well-heeled Glass wants to be her legal guardian with an eye to eventual adoption, but what are his real motives? And what happens to her if he's convicted? Meanwhile, Betsy insists that her parents never touched drugs, and she begs Travis to find out how they really died. This becomes part of a mission that oozes danger. The small town of Ricketts has a woman mayor who’s full of charm on the surface, but deeply corrupt and deadly when crossed. She may be linked to a subversive group called "12/24/65," as in 1865, when the Ku Klux Klan beast was born. Blood flows, bombs explode, and people perish, both good guys and not-so-good guys. Readers might ponder why in fiction as well as in life, it sometimes seems necessary for many to die so one may live. And what about the girl on the train? She's not necessary to the plot, but she's a fun addition as she pops in and out of the pages, occasionally leaving notes for Travis. Maybe she still wants him dead.
Fast-moving excitement with a satisfying finish.Pub Date: Nov. 12, 2024
ISBN: 9781538757901
Page Count: 432
Publisher: Grand Central Publishing
Review Posted Online: Sept. 14, 2024
Kirkus Reviews Issue: Oct. 15, 2024
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