A well-written and emotionally involving teen tale with fine characterization but an unresolved ending.
In this debut YA novel, two misfit teenagers navigate a romantic relationship and face down painful legacies.
Mina Nikolaevna Arkova, the 17-year-old daughter of Soviet immigrants, has never quite fit in; other kids “never seemed to recognize me as one of their own species.” For her senior year of high school, she’s transferring from a tony private school to a grittier, less expensive one in Hollywood. Saving money is important ever since her mother lost one of her jobs and her father took off. Mina plans on earning stellar grades, going to a top-flight university, and becoming a lawyer, although her real love is dancing. Oliver Mondell, 17, has chosen this new name as part of his new life. As a foster child and survivor of sexual abuse, he has excellent reasons for putting his miserable past behind him. Now, he’s moving to Los Angeles, finishing high school, and developing his lucrative business buying and selling smartphones. When Mina and Oliver meet, they share a strong attraction, but their personal issues create a push-pull dynamic that complicates coming to each other’s emotional rescue. Just as they reach an understanding, violence erupts in Mina’s life, the story to continue in a second installment. In her novel, Ares displays a gift for capturing the complex inner lives of teenagers through Mina’s and Oliver’s alternating first-person chapters. They’re authentically slang-y and teenage-lusty; they struggle with believable, significant internal and external conflicts; and they’re thoughtful about fate, the future, and each other. Other characters, too, are well drawn, such as Mina’s overreacting but endearing mother: “All I wishing is for you to be safe and not to killing my nerves anymore.” Structurally, the book is slow to develop and then ends on a cliffhanger—an unsatisfying combination.
A well-written and emotionally involving teen tale with fine characterization but an unresolved ending.Pub Date: Oct. 19, 2021
ISBN: 978-1-73681-400-0
Page Count: 326
Publisher: Sera Press
Review Posted Online: Sept. 27, 2021
Review Program: Kirkus Indie
BOOK REVIEW
There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head.
The finely drawn characters capture readers’ attention in this debut.
Autumn and Phineas, nicknamed Finny, were born a week apart; their mothers are still best friends. Growing up, Autumn and Finny were like peas in a pod despite their differences: Autumn is “quirky and odd,” while Finny is “sweet and shy and everyone like[s] him.” But in eighth grade, Autumn and Finny stop being friends due to an unexpected kiss. They drift apart and find new friends, but their friendship keeps asserting itself at parties, shared holiday gatherings and random encounters. In the summer after graduation, Autumn and Finny reconnect and are finally ready to be more than friends. But on August 8, everything changes, and Autumn has to rely on all her strength to move on. Autumn’s coming-of-age is sensitively chronicled, with a wide range of experiences and events shaping her character. Even secondary characters are well-rounded, with their own histories and motivations.
There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head. (Fiction. 14 & up)Pub Date: April 1, 2013
ISBN: 978-1-4022-7782-5
Page Count: 336
Publisher: Sourcebooks Fire
Review Posted Online: Feb. 12, 2013
Kirkus Reviews Issue: March 1, 2013
BOOK REVIEW
SEEN & HEARD
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
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