by Emily Arnold McCully & illustrated by Emily Arnold McCully ‧ RELEASE DATE: March 1, 2012
Once readers have tackled the words, this story deflates with alarming celerity.
McCully’s beginning reader demonstrates that it takes more than words to make a story.
This is a tale of good intentions. Both the artwork, with its wobbly pen lines and disarming characterizations, and a measure of the wordplay speak volumes about welcoming new readers. The words are accessible, the rhymes provide flow and the near-rhymes—“‘Eat up, Nate,’ say Jane and Jake”—are one of those little delights that snag the reader’s ear. But there is also atonality reminiscent of Dick, Jane and Sally. “The race is today. Mom, Dad, Jake, and Jane are here. Nate is not. He is slow. / It is late. Nate is still not here.” Storywise, okay, Nate the mouse is slow, and so be it. He even has a Thoreauvian moment when, as his mother prods him to enter the race, he says, “No. I like to go slow.” But he is never allowed to beat that drum, as his mother pushes him to the starting line. Nate, who has shown not a wink of flash, blows by everyone and wins the race by yards. What gives? Did a cat unexpectedly enter the precincts? Did fear give him sudden instincts of skill? Was it steroids? No reason is forthcoming.
Once readers have tackled the words, this story deflates with alarming celerity. (Picture book/early reader. 4-8)Pub Date: March 1, 2012
ISBN: 978-0-8234-2421-4
Page Count: 32
Publisher: Holiday House
Review Posted Online: Jan. 17, 2012
Kirkus Reviews Issue: Feb. 1, 2012
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by James Dean ; illustrated by James Dean ‧ RELEASE DATE: Sept. 18, 2018
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among
Pete, the cat who couldn’t care less, celebrates Christmas with his inimitable lassitude.
If it weren’t part of the title and repeated on every other page, readers unfamiliar with Pete’s shtick might have a hard time arriving at “groovy” to describe his Christmas celebration, as the expressionless cat displays not a hint of groove in Dean’s now-trademark illustrations. Nor does Pete have a great sense of scansion: “On the first day of Christmas, / Pete gave to me… / A road trip to the sea. / GROOVY!” The cat is shown at the wheel of a yellow microbus strung with garland and lights and with a star-topped tree tied to its roof. On the second day of Christmas Pete gives “me” (here depicted as a gray squirrel who gets on the bus) “2 fuzzy gloves, and a road trip to the sea. / GROOVY!” On the third day, he gives “me” (now a white cat who joins Pete and the squirrel) “3 yummy cupcakes,” etc. The “me” mentioned in the lyrics changes from day to day and gift to gift, with “4 far-out surfboards” (a frog), “5 onion rings” (crocodile), and “6 skateboards rolling” (a yellow bird that shares its skateboards with the white cat, the squirrel, the frog, and the crocodile while Pete drives on). Gifts and animals pile on until the microbus finally arrives at the seaside and readers are told yet again that it’s all “GROOVY!”
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among . (Picture book. 4-8)Pub Date: Sept. 18, 2018
ISBN: 978-0-06-267527-9
Page Count: 48
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 19, 2018
Kirkus Reviews Issue: Sept. 1, 2018
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by Kevin Jonas & Danielle Jonas ; illustrated by Courtney Dawson ‧ RELEASE DATE: March 29, 2022
Nice enough but not worth repeat reads.
Emma deals with jitters before playing the guitar in the school talent show.
Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)
Nice enough but not worth repeat reads. (Picture book. 4-6)Pub Date: March 29, 2022
ISBN: 978-0-593-35207-6
Page Count: 40
Publisher: Razorbill/Penguin
Review Posted Online: Feb. 8, 2022
Kirkus Reviews Issue: March 1, 2022
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