by Emily Bain Murphy ‧ RELEASE DATE: July 21, 2020
Come for the ballet costumes, stay for the exposé of corruption.
Issues of servitude and sacrifice simmer beneath the surface of a lush 19th-century fantasy.
Marit Olsen has lost her father (mining accident); her sister, Ingrid (magic overuse), and her place at the orphanage but is determined not to lose little 11-year-old Eve too. When Helene Vestergaard—a ballet dancer and former orphan who married rich—adopts Eve, Marit abandons her thankless seamstress job, following Eve to Copenhagen and into service. Like the other servants, Marit relies on her minor magic; all risk the inescapable, seemingly incurable, icy and fatal Firn by using their powers to keep the Vestergaards comfortable. Blaming the Vestergaards for her father’s death, Marit investigates the family, endangering everyone, even Eve. Chapters from the point of view of Philip Vestergaard explore how powerlessness, patriotism, and greed can lead to villainy. In addition to class inequality, Murphy tackles racism, with biracial Helene (Crucian mother/Danish father) and Eve (West Indian mother/father unknown) facing prejudice despite their talent and wealth in this otherwise white world. Part wish-fulfillment fantasy, with lavish descriptions of clothing, food, and flowers, part gritty whodunit, beneath the familiar upstairs-downstairs drama and glitter, the novel is also an extended (if sometimes obvious) metaphor for how the luxuries of capitalism, commerce, and colonialism ultimately cost lives.
Come for the ballet costumes, stay for the exposé of corruption. (Fantasy. 12-18)Pub Date: July 21, 2020
ISBN: 978-0-358-14273-7
Page Count: 400
Publisher: HMH Books
Review Posted Online: May 2, 2020
Kirkus Reviews Issue: May 15, 2020
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by Isabel Ibañez ; illustrated by Isabel Ibañez ‧ RELEASE DATE: Nov. 5, 2024
A thrilling, beautifully written page-turner.
A young woman pursues a dangerous quest in late-1800s Egypt in this sequel to What the River Knows (2023).
After Inez Olivera was nearly murdered while assisting with her uncle’s archaeological expedition in Egypt, Tío Ricardo is eager to ship her home to safety in Argentina. But Inez burns with the need to stay and make sure that those who committed crimes against her family are held responsible. Unfortunately, the law precludes Inez, as a young unmarried woman, from accessing her inheritance (needed to fund her quest for justice) without her guardian uncle’s permission. Whitford Hayes, a former British soldier and her tío’s aide-de-camp, proposes marriage, which could solve her problems. But can Inez trust the secretive Whit? More danger and intrigue lurk at every turn in this exciting duology closer, which fully addresses the first entry’s jaw-dropping cliffhanger. The well-paced plot encompasses many fresh, new adventures and betrayals in this reimagined historical setting in which ancient magic abounds and not everyone or everything is what it seems. Even more captivating, however, is the complicated, nuanced love story between Whit and Inez. Their chemistry sizzles, but their relationship is achingly layered with both profound loyalty and deep deception. As their journey unearths new enemies and priceless archaeological finds, the duo must try to trust each other enough to survive.
A thrilling, beautifully written page-turner. (cast of characters, map, timeline) (Historical fantasy. 14-18)Pub Date: Nov. 5, 2024
ISBN: 9781250822994
Page Count: 400
Publisher: Wednesday Books
Review Posted Online: Aug. 17, 2024
Kirkus Reviews Issue: Sept. 15, 2024
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by Isabel Ibañez ; illustrated by Isabel Ibañez
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by Lauren Roberts ‧ RELEASE DATE: Nov. 7, 2023
A lackluster and sometimes disturbing mishmash of overused tropes.
The Plague has left a population divided between Elites and Ordinaries—those who have powers and those who don’t; now, an Ordinary teen fights for her life.
Paedyn Gray witnessed the king kill her father five years ago, and she’s been thieving and sleeping rough ever since, all while faking Psychic abilities. When she inadvertently saves the life of Prince Kai, she becomes embroiled in the Purging Trials, a competition to commemorate the sickness that killed most of the kingdom’s Ordinaries. Kai’s duties as the future Enforcer include eradicating any remaining Ordinaries, and these Trials are his chance to prove that he’s internalized his brutal training. But Kai can’t help but find Pae’s blue eyes, silver hair, and unabashed attitude enchanting. She likewise struggles to resist his stormy gray eyes, dark hair, and rakish behavior, even as they’re pitted against each other in the Trials and by the king himself. Scenes and concepts that are strongly reminiscent of the Hunger Games fall flat: They aren’t bolstered by the original’s heart or worldbuilding logic that would have justified a few extreme story elements. Illogical leaps and inconsistent characterizations abound, with lighthearted romantic interludes juxtaposed against genocide, child abuse, and sadism. These elements, which are not sufficiently addressed, combined with the use of ableist language, cannot be erased by any amount of romantic banter. Main characters are cued white; the supporting cast has some brown-skinned characters.
A lackluster and sometimes disturbing mishmash of overused tropes. (map) (Fantasy. 14-18)Pub Date: Nov. 7, 2023
ISBN: 9798987380406
Page Count: 538
Publisher: Simon & Schuster
Review Posted Online: Sept. 9, 2023
Kirkus Reviews Issue: Oct. 1, 2023
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