Come for the ballet costumes, stay for the exposé of corruption.
Issues of servitude and sacrifice simmer beneath the surface of a lush 19th-century fantasy.
Marit Olsen has lost her father (mining accident); her sister, Ingrid (magic overuse), and her place at the orphanage but is determined not to lose little 11-year-old Eve too. When Helene Vestergaard—a ballet dancer and former orphan who married rich—adopts Eve, Marit abandons her thankless seamstress job, following Eve to Copenhagen and into service. Like the other servants, Marit relies on her minor magic; all risk the inescapable, seemingly incurable, icy and fatal Firn by using their powers to keep the Vestergaards comfortable. Blaming the Vestergaards for her father’s death, Marit investigates the family, endangering everyone, even Eve. Chapters from the point of view of Philip Vestergaard explore how powerlessness, patriotism, and greed can lead to villainy. In addition to class inequality, Murphy tackles racism, with biracial Helene (Crucian mother/Danish father) and Eve (West Indian mother/father unknown) facing prejudice despite their talent and wealth in this otherwise white world. Part wish-fulfillment fantasy, with lavish descriptions of clothing, food, and flowers, part gritty whodunit, beneath the familiar upstairs-downstairs drama and glitter, the novel is also an extended (if sometimes obvious) metaphor for how the luxuries of capitalism, commerce, and colonialism ultimately cost lives.
Come for the ballet costumes, stay for the exposé of corruption. (Fantasy. 12-18)Pub Date: July 21, 2020
ISBN: 978-0-358-14273-7
Page Count: 400
Publisher: HMH Books
Review Posted Online: May 2, 2020
Kirkus Reviews Issue: May 15, 2020
BOOK REVIEW
BOOK REVIEW
A lackluster and sometimes disturbing mishmash of overused tropes.
The Plague has left a population divided between Elites and Ordinaries—those who have powers and those who don’t; now, an Ordinary teen fights for her life.
Paedyn Gray witnessed the king kill her father five years ago, and she’s been thieving and sleeping rough ever since, all while faking Psychic abilities. When she inadvertently saves the life of Prince Kai, she becomes embroiled in the Purging Trials, a competition to commemorate the sickness that killed most of the kingdom’s Ordinaries. Kai’s duties as the future Enforcer include eradicating any remaining Ordinaries, and these Trials are his chance to prove that he’s internalized his brutal training. But Kai can’t help but find Pae’s blue eyes, silver hair, and unabashed attitude enchanting. She likewise struggles to resist his stormy gray eyes, dark hair, and rakish behavior, even as they’re pitted against each other in the Trials and by the king himself. Scenes and concepts that are strongly reminiscent of the Hunger Games fall flat: They aren’t bolstered by the original’s heart or worldbuilding logic that would have justified a few extreme story elements. Illogical leaps and inconsistent characterizations abound, with lighthearted romantic interludes juxtaposed against genocide, child abuse, and sadism. These elements, which are not sufficiently addressed, combined with the use of ableist language, cannot be erased by any amount of romantic banter. Main characters are cued white; the supporting cast has some brown-skinned characters.
A lackluster and sometimes disturbing mishmash of overused tropes. (map) (Fantasy. 14-18)Pub Date: Nov. 7, 2023
ISBN: 9798987380406
Page Count: 538
Publisher: Simon & Schuster
Review Posted Online: Sept. 9, 2023
Kirkus Reviews Issue: Oct. 1, 2023
Raw, delicate, and deeply caring.
When Death-Cast doesn’t call, fate intertwines the lives of two boys, both haunted by their pasts and with futures they can’t escape.
In this third installment of the series that opened with 2017’s They Both Die at the End, Paz Dario waits every night for Death-Cast to call—as it should have for his father nearly 10 years ago, when Paz shot him to save his mother’s life. But the call never comes. Death-Cast killed Paz’s dreams of an acting career: No one will hire him now because the world sees him as a villain. When Paz tries (not for the first time) to put an end to his suffering, an unexpected encounter with Alano Rosa, the heir of Death-Cast, stops him. Both in a place of desperation, Alano and Paz sign a contract to live for Begin Days instead of waiting for their End Days. As suspenseful and emotionally wrenching as the previous titles in the series, this new installment explores heavy themes of abuse, mental health, self-harm, and suicide. Paz grapples with a recent diagnosis of borderline personality disorder. Silvera surrounds Alano and Paz with a web of complex relationships. Although the protagonists fall fast for one another and form a deep connection over Alano’s desire to support Paz, Silvera emphasizes the importance of professional help. Both Alano and Paz have Puerto Rican heritage. The cliffhanger ending promises more to come.
Raw, delicate, and deeply caring. (content warning, resources) (Speculative fiction. 14-18)Pub Date: May 6, 2025
ISBN: 9780063240858
Page Count: 720
Publisher: Quill Tree Books/HarperCollins
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
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