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THE ROSE COTTAGE TALES

From the Tumtum & Nutmeg series , Vol. 2

Three rousing adventures sweep up homebody mice Nutmeg and Tumtum in their continuing role as unofficial guardians of human children Arthur and Lucy and amusingly immature military rodent General Marchmouse. Each escapade takes them afield—into the village, to the seaside, down the meadow to a stream—to find Christmas gifts, pursue villains or rescue the fame- and adrenaline-seeking General from his risky delusions of grandeur. Even when their world gets exciting, though, it’s still a cozy read. Mouse-sized vehicles operate smoothly; battles are chaotic, but weapons shoot sherbet powder and peppermint gas. Everyone always ends up safe, and feasts range from glazed ham and plum pudding to cockroach pie and roasted flies. Arthur and Lucy exchange notes with Nutmeg when circumstances require, but they think she’s “a Fairy of Sorts” rather than a mouse. The narrative progression depends too heavily on the connecting word “then,” and the scale of distance sometimes shifts. Nonetheless, if this volume feels a little more slapdash than the first, it still harkens charmingly back to The Wind in the Willows and The Borrowers. (recipes) (Fantasy. 6-9)

Pub Date: Oct. 5, 2010

ISBN: 978-0-316-08599-1

Page Count: 416

Publisher: Little, Brown

Review Posted Online: Aug. 31, 2010

Kirkus Reviews Issue: Sept. 15, 2010

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DOG DAYS

From the Carver Chronicles series , Vol. 1

This outing lacks the sophistication of such category standards as Clementine; here’s hoping English amps things up for...

A gentle voice and familiar pitfalls characterize this tale of a boy navigating the risky road to responsibility. 

Gavin is new to his neighborhood and Carver Elementary. He likes his new friend, Richard, and has a typically contentious relationship with his older sister, Danielle. When Gavin’s desire to impress Richard sets off a disastrous chain of events, the boy struggles to evade responsibility for his actions. “After all, it isn’t his fault that Danielle’s snow globe got broken. Sure, he shouldn’t have been in her room—but then, she shouldn’t be keeping candy in her room to tempt him. Anybody would be tempted. Anybody!” opines Gavin once he learns the punishment for his crime. While Gavin has a charming Everyboy quality, and his aversion to Aunt Myrtle’s yapping little dog rings true, little about Gavin distinguishes him from other trouble-prone protagonists. He is, regrettably, forgettable. Coretta Scott King Honor winner English (Francie, 1999) is a teacher whose storytelling usually benefits from her day job. Unfortunately, the pizzazz of classroom chaos is largely absent from this series opener.

This outing lacks the sophistication of such category standards as Clementine; here’s hoping English amps things up for subsequent volumes. (Fiction. 6-9)

Pub Date: Dec. 17, 2013

ISBN: 978-0-547-97044-8

Page Count: 128

Publisher: Clarion Books

Review Posted Online: Oct. 1, 2013

Kirkus Reviews Issue: Oct. 15, 2013

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ACOUSTIC ROOSTER AND HIS BARNYARD BAND

Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look...

Winning actually isn’t everything, as jazz-happy Rooster learns when he goes up against the legendary likes of Mules Davis and Ella Finchgerald at the barnyard talent show.

Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look good—particularly after his “ ‘Hen from Ipanema’ [makes] / the barnyard chickies swoon.”—but in the end the competition is just too stiff. No matter: A compliment from cool Mules and the conviction that he still has the world’s best band soon puts the strut back in his stride. Alexander’s versifying isn’t always in tune (“So, he went to see his cousin, / a pianist of great fame…”), and despite his moniker Rooster plays an electric bass in Bower’s canted country scenes. Children are unlikely to get most of the jokes liberally sprinkled through the text, of course, so the adults sharing it with them should be ready to consult the backmatter, which consists of closing notes on jazz’s instruments, history and best-known musicians.

Pub Date: Sept. 1, 2011

ISBN: 978-1-58536-688-0

Page Count: 32

Publisher: Sleeping Bear Press

Review Posted Online: July 19, 2011

Kirkus Reviews Issue: Aug. 1, 2011

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